Clever storytelling with an over-the-top protagonist.
A frustrated young man mulls his many mistakes.
In New Jersey in 2000, Tony Mazza (like matzah, only not, ha ha) stumbles out of a courtroom, wondering where he’s gone wrong in his life, and his narrative provides a thousand answers ranging from funny to sad. He relates his life in reverse: 2000 becomes 1994, then 1991 and so on, going back to his birth, which Mom fills him in on. Tony can’t keep even an entry-level job, as reporting to work on time at IHOP is a nagging issue. Surrounded by bad influences like his father and his lifelong friend Sandy Quade, he screws up by the numbers but only blames himself: “Where did I go wrong?” he asks himself over and over. In 1990, “the unemployment rate’s low enough for you to step over,” and yet he’s “thirty-one, divorced and jobless.” Loser isn’t tattooed on his forehead, although readers may wonder why not. Along the way, he peppers his narrative with lame jokes. “I know a bunch of jokes about being unemployed. But none of them work. Ha ha ha.” At times it feels like Tony has memorized his childhood joke book and wants to share every damned gag. (One or two fewer groaners would’ve been nice.) But then lines like this more than compensate: “That voice, sweet with an edge, is like orange juice left out too long.” Typical Tony: He makes a date with a girl and then forgets to show up. In high school he’s casual about punctuality, arriving at “Ms. Rosen’s Western Civ. class in time to be fifteen minutes late.” He could be a decent student—for example, his comments in English class about Holden Caulfield in Catcher in the Rye are perceptive: “It’s what Salinger thinks a rebel kid should be.” And yet a quiet tragedy lurks in the background of the Mazza family’s lives. Tony’s younger sister, Angela, has been missing for two decades, and all hope of finding her is lost. When the story circles back to 2000 no one is looking for her anymore, and Tony faces possible jail time on a low-level drug charge. One thread leads to a shock, the other to a glimmer of hope.
Clever storytelling with an over-the-top protagonist.Pub Date: May 6, 2025
ISBN: 9781646035861
Page Count: 248
Publisher: Regal House Publishing
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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