A few too many ideas prove distracting in this otherwise prescient and compelling near-future climate exploration.
In the near future, the Berkshires weather a strain on resources resulting from climate displacement in Guenette’s ecological novel.
It’s now 2035 in the third book of the author’s Steep Climes quartet. This novel follows a large cast of characters in Great Barrington, Massachusetts, as they deal with an influx of tourists and “climate refugees” (read: “Brooklyn hipsters” traveling to the mountains to beat the heat). It’s troubling that hikers on the Appalachian Trail are arriving earlier in the season; the town simply isn’t ready for the throngs of New Yorkers who descend on the Berkshires during a scorching heat wave that July and August. The residents must respond to the high demand for vacation rentals, food, and space as crowds of tent-dwelling urbanites (“They’re sleeping on the sidewalks!”) arrive. The novel tracks the tensions between local policymakers, NIMBY protesters against housing expansion, and struggling workers who must meet rising rent costs or else be forced to live in tents. Davin Caine, a septuagenarian artist and homeowner in Great Barrington, rents out parts of his house to various boarders to pay the bills while investigating what—or who—is taking radishes from his garden. The expansive cast of characters also includes a journalist getting the scoop on dark money funding climate denialism, the town manager looking into mysterious gunshots while recovering from a messy split with her husband, and an online newspaper entrepreneur hoping to expand her business. Guenette’s attention to the ways in which climate change may affect communities at the local level makes for a compelling read, and the writing is zippy and clean. The author struggles somewhat with the difficult job of balancing several different stories, and some plot points fall to the wayside. Going beyond local concerns, Guenette also includes chapters about an eco-terrorist organization in cahoots with Mexican drug cartels, a narrative that warrants its own, dedicated novel.
A few too many ideas prove distracting in this otherwise prescient and compelling near-future climate exploration.Pub Date: June 15, 2026
ISBN: 9798988505549
Page Count: 353
Publisher: N/A
Review Posted Online: July 2, 2026
Review Program: Kirkus Indie
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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