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Holoscripts

A collection of stories, lists, sayings and brief meditations aimed at dozens of aspects of life.
Hoban’s frequently thought-provoking debut contains snippet-length segments and scenarios interspersed with maximlike mottos, themed lists and occasional pieces of poetry. The long, generously full collection of odds and ends is designed to challenge assumptions and undercut rote thinking. Hoban recounts many stories from his years as a prison employee and includes accounts of the things inmates typically say and think. But the range of his vignettes extends a good deal beyond: He can be topically political, as when he hopes that former U.S. President George Bush (most likely W) will never publish his memoirs and thinks that if he does, he should write them without the aid of ghostwriters—“I suspect his incoherence would reveal itself,” Hoban writes. More frequently, he can also be congenially philosophical, probing the nature of human thought and often summarizing things quite pithily: “Awareness is extinguished when it is used in service of self-abasement,” he writes in a segment titled “Duality.” There are brief bits on evolution, the complexities of communication styles and the persistence of “demons” in the human world. “Alcohol abuse, in contemporary society, is one example of belief in possession,” he says, which flows from his earlier claim that “Ninety-nine percent of getting help is asking for it.” Themes are expounded upon then seemingly disappear and crop back up with studied regularity; the coherence to these bagatelles is belied by their randomness. The book sometimes falls into the trap of too-easy aphorisms—lines like “there is no evil, only error,” for example, may sound fortune-cookie profound, though there’s not much to chew on. Yet far more often, the muscular compression of Hoban’s thinking is rewarding rather than frustrating, as when he draws on his employment history for metaphors: “Epoch to epoch, we continue to be in a prison where we fixate on bars of our own making while failing to see what lies beyond them.” The result is a book virtually guaranteed to have something to interest almost every reader.
An opinionated, ultimately optimistic series of reflections on the nature of humanity.

Pub Date: May 15, 2014

ISBN: 978-1611701746

Page Count: 232

Publisher: Robertson Publishing

Review Posted Online: Aug. 6, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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