A deft cautionary tale about living forever.


A debut novel examines whether immortality is a boon or a curse.

Castello’s protagonist is Steven Ronson, a young man who has seen far too much death as a medic during World War II. Steven’s life changes forever when he stumbles upon letters describing an immortality formula designed for Hitler and the pills themselves while liberating the Dachau concentration camp. As the only surviving member of his original unit, Steven feels safe trying the pills he has discovered: “It certainly looked as if it was imbued with magical properties. What did I have to lose? Perhaps I could cheat the Grim Reaper until I’d made it safely home to Florida.” Following the death of his father, Steven leaves Miami to chase his dream of becoming a professional saxophone player in New York City. The pills enable him to become an otherworldly musician, and a label soon wants to sign him and the combo with whom he’s been playing. But he’s more interested in learning about Chow Li and Chang Sou, the immortal figures representing good and evil who appear in the visions that accompany his music. He travels to China with the love of his life, Jennifer Harrison, and her Uncle Albert, a longtime missionary in that country. The bulk of the tale is set in revolutionary-era China as the trio and Chow Li seek to combat Chang Sou’s growing power. Castello skillfully uses Steven’s arc to show that immortality doesn’t necessarily translate into having it all: “I was still much more curious about life.…The only drawback was that those closest to me, those whom I loved, were all gone. I was completely alone.” The author successfully mixes quite a bit of history in his narrative, including such figures as Mao, the Dalai Lama, and Charlie Parker. He even includes an extraterrestrial element and a connection between Tibetan monks and Nazis that somehow remains believable. This is a well-structured, thought-provoking novel with the message “Be careful what you wish for.”

A deft cautionary tale about living forever.

Pub Date: Dec. 1, 2016

ISBN: 978-1-4835-7862-0

Page Count: 314

Publisher: BookBaby

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: May 1, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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