by David J. Dixon ‧ RELEASE DATE: June 15, 2026
A well-researched and poignantly written exploration of how babies connect humanity to God.
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An interdisciplinary scholar reflects on the ways in which childhood innocence connects humanity to the divine.
Rather than viewing infants through the lens of adult responsibilities and obligations, Dixon, a retired professor who taught in the University of Toronto’s Department of Psychiatry and Centre for the Study of Religion, takes a counterintuitive stance that it’s babies who “have important things to (re-) teach us” about love, grace, forgiveness, tolerance, and human dignity. “Babies demonstrate for us—transparently and guilelessly—not optimism but robust, enduring hope,” he asserts. The volume explores this idea by drawing on theories and psychology of human development, which Dixon combines with Christian religious themes. He eschews debates surrounding reproductive health and family planning and instead turns to the fundamentals of his faith, such as the original Christmas story’s angelic proclamations that world peace has come in the form of a newborn baby. This core message, the author laments, is often lost, as shown by Christianity’s history of religious violence, intolerance, and fundamentalism. Indeed, he asserts that, despite Jesus’ own admonition for his followers to “become like children” (which Dixon convincingly interprets as “absolute dependence,” replete with doubts), far too many Christians embrace their religion with an absolutist certainty that they “can know everything there is to know about the mind of God.” Thus, he avers, perhaps the greatest lessons babies can teach, particularly to the devout, is the power of having a childlike perspective without the trappings of self-righteous certitude and its accompanying intolerance. Dixon’s academic bona fides—he holds a doctorate in modern history, a master’s degree in the study of religion, and is a doctor of medicine—are reflected in this volume’s abundance of cross-disciplinary references from sources as varied as Sigmund Freud and St. Augustine, but he writes in an accessible style that emotively captures what he calls the “grace-filled glimpses of divine revelation” that babies offer. And although the author writes from a Christian perspective that leans heavily on the faith’s spiritual vocabulary, he also critiques orthodox doctrines while embracing an inclusive approach to religion that welcomes readers of all backgrounds.
A well-researched and poignantly written exploration of how babies connect humanity to God.Pub Date: June 15, 2026
ISBN: 9781038354433
Page Count: 180
Publisher: N/A
Review Posted Online: May 10, 2026
Review Program: Kirkus Indie
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by Colin Kaepernick with Nick Chiles ‧ RELEASE DATE: Sept. 15, 2026
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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