2 PARA'S BATTLE FOR DARWIN HILL AND GOOSE GREEN

bookshelf

2 PARA'S BATTLE FOR DARWIN HILL AND GOOSE GREEN

Name: 2 PARA'S BATTLE FOR DARWIN HILL AND GOOSE GREEN
Author: David J. Kenney
ISBN: 0-9660717-1-9

by David J. Kenney ‧ RELEASE DATE: April 3, 2006

A fascinating and vital, if lopsided, record of an important conflict in British military history.

bookshelf

Intimidatingly researched, Kenney’s absorbing account of the Falklands War’s iconic Battle of Goose Green manages the weight of its subject with sobriety and pathos, if not consistent objectivity.

Twenty-five years after the Falklands War, Kenney’s meticulous rendering of this strategically pointless battle illuminates with minute detail the hows, wheres and whos, if not the whys, of a war that most historians agree should not have occurred. The author’s passion for the subject is palpable, and his factual legwork impressive. Gathering a broad array of sources, Kenney determinedly sets the stage for the central conflict between Thatcher-era Britain and junta-led Argentina. The account begins with past Falklands conflicts, trots out the major players and sheds light on the messy political obsessions leading up to the war. With as much detail as Kenney packs into the pages–in addition to seven chapters, the book contains five appendices, comprehensive chapter notes, a 12-page bibliography and an index–readers may expect the tone to favor data over author presence, but that’s not the case here. Kenney adulates Lieutenant Colonel Herbert Jones, commanding officer of the 2nd Battalion of the Parachute Regiment, as the emblematic British war hero, and General Leopoldo Galtieri, the military president of Argentina, draws the author’s full scorn, especially in a disdainful afterword. When the Battle of Goose Green and Darwin Hill arrives halfway through the narrative, Kenney renders British casualties with equal parts deep respect for heroism and clear frustration at its futility. By this point, it becomes evident that the hardscrabble soldiers of 2 Para–the â€œToms,” here given voice through painstakingly footnoted source material–merit a greater share of the attention that the author distributes to Jones.

A fascinating and vital, if lopsided, record of an important conflict in British military history.

Pub Date: April 3, 2006

ISBN: 0-9660717-1-9

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.