A disarmingly tall tale by a roadworthy writer.
In a small town in New Mexico, a divorcé named Doe turns his ex-wife’s snowmobile into a dragster and dreams of hitting the road.
First, he’ll have to convince the police to declare his vehicle roadworthy. Broken into slim chapters like a novel, this novella charms with simple dialogue and honest depictions of the ordinary people who govern the town. Many of the characters wink at gender roles: Doe got his name because his mother had been hoping for a girl. His neighbor Ed Sanders is actually an Edwina. And the town’s smallest and meanest cop, Burt Lascone, joined law enforcement to rebel against his sisters, who used to dress him up in their clothes. Doe’s half-baked schemes to win Burt over yield no results—an emergency phone call trumps the spaghetti dinner he cooks for him—and fizzle out without much impact on the plot. But it’s Rigger, described as a “moving pile of rags,” who is the small town’s beating heart. Homeless by choice, Rigger steals a casket from Edwina’s woodworking business and sleeps inside it until Edwina rousts him with a reminder that he’s not dead yet—echoing Doe’s desire to “escape his world of mindless things” from the driver’s seat of his dragster. But from the bar stools of the town’s two watering holes, The Cozy Cue and The Dirty Banana, Doe discovers that the kindness and trust of his neighbors are all he really needs to get back on the road. The text abounds with unusual metaphors: a dog’s underbite, for instance, “resembles a small menorah.” And Doe’s heartbreaking description of his failed marriage aches with loneliness: “They sat in silence together and after the noisy fast clatter of the washing of dishes, they escaped to their beds and sleep.” The sentences aren’t always smooth, but poetry emerges from rambling prose that is stripped of excess punctuation, mimicking the rattle and hum of the dragster’s engine.
A disarmingly tall tale by a roadworthy writer.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Feb. 29, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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