Clearly explains the science behind the power of creativity.
A successful industrial designer with a prolific career offers insights for tapping into the mind’s creative power.
Nutting (Language of Nature, 2005) analyzes the creative process using his own industrial design experiences as examples. With a career spanning 55 years, which included designing everything from arcade games to cookware to the Jeep Grand Wagoneer, Nutting has plenty of experiences to formulate his analysis. This slim volume doesn’t outline a step-by-step process for achieving creativity as much as it explains the workings of the brain. It contains a clear, concise and understandable explanation of memory and how it works. The discussions of quantum physics, the creation of the universe and the life and function of atoms are equally straightforward and lucid. These sections are the book’s main strengths: making complex scientific concepts comprehensible. Connecting these concepts to the creative process and explaining how understanding them can improve one’s ability to master one’s own mind is not quite as apparent. Nutting describes “Thought Talk,” a meditative state that stimulates the subconscious mind, as a way of tapping into the mind’s full potential. The book could have done without the inclusion of “Rap-Rhymes,” which are short couplets of rhyme meant to help readers remember important concepts. Inserted in the midst of this succinct text, they are distracting and, in some cases, silly. Nutting ends the book with a “Postface,” and the purpose of this section is even less clear than the Rap-Rhymes; he describes what “might have been” if only someone had listened to his ideas of a universal operating system. Instead, his efforts were sidelined by those whom Nutting believes were shortsighted men, so it was Bill Gates, not Nutting, who emerged as the king of personal computing. Given the many notable accomplishments that Nutting recounts in the book, it makes for a sour epitaph for an otherwise illustrious career.
Clearly explains the science behind the power of creativity.Pub Date: Oct. 4, 2012
ISBN: 978-1478719243
Page Count: 66
Publisher: Outskirts Press Inc.
Review Posted Online: Jan. 10, 2013
Review Program: Kirkus Indie
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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