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SURVIVOR'S GAME

Eminently readable and largely remarkable.

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Karmi’s debut, a matter-of-fact memoir focusing on his ordeals in Nazi concentration camps, strikes a relatively upbeat chord largely discordant with works by other Holocaust survivors.

Born into a Jewish family in the then-Hungarian city of Satu Mare, a young Karmi grows up in a country that is increasingly hostile to its Jewish population. With Hitler’s rise to power in Germany, the hostility becomes a matter of official policy; despite his valiant service to Austria-Hungary in World War I, David’s father’s foreign heritage results in the family’s expulsion to Poland. There, the Karmis attempt to bunk with unhelpful relations, then undertake great risks to return to Satu Mare, only to find their home and possessions seized. Soon the family is deported once again, this time to Auschwitz, where young David is separated from his parents and sister amid horrific rumors of their likely fate. David survives not only Auschwitz, but a transfer to a second camp in the ruins of the Warsaw Ghetto and then a death march to Dachau in Germany as the Allied armies close in. The author ascribes his improbable endurance to the fact that he never gave up hope—he writes in an afterword, “I always look forward to tomorrow and try to forget yesterday”—and indeed, the book lacks the tonal despair employed by fellow survivors such as Primo Levi and Elie Wiesel, instead echoing the optimism of Anne Frank’s pre-camp diaries. But perhaps just as important to David’s survival as his sunny outlook are his quick wits, good fortune and knack for making the right kinds of friends—ranging from fellow inmates who share his pluck to a sympathetic Wehrmacht lieutenant who even invites David out of the camp to his family’s home for meals. Though Karmi’s narrative loses steam once he details his post-war emigration to Palestine, his prose moves along at a respectable clip and rarely lingers on trivial details, until a handful of later chapters profiling Karmi’s successful but relatively dull American real-estate career.

Eminently readable and largely remarkable.

Pub Date: July 10, 2011

ISBN: 978-0615412955

Page Count: 280

Publisher: D.K. Montague

Review Posted Online: June 9, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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