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COLD STORAGE

Unlikely heroes battle a frightening fungus that could wipe out humanity in this taut, mordant thriller debut.

A long-forgotten but deadly organism stored in a deep cave becomes a chilling threat, and a retired bioweapons agent and two security guards are the only ones who can stop it.

Koepp is a very successful screenwriter (Jurassic Park, etc.) and director (Premium Rush, etc.) whose film experience is apparent in this propulsive disaster tale. In the prologue, set in 1987, two agents of the U.S. Defense Nuclear Agency, specialists in neutralizing bioweapons and the like, head for a remote Australian town where debris from the Skylab satellite fell. There, Roberto Diaz and Trini Romano find a bizarre catastrophe: An unknown fungus that mutates with spectacular speed has killed everyone in Kiwirrkurra. Diaz and Romano clean up the mess and contain a sample of the organism, which they deliver to a huge cave under the Missouri River bluffs used by the military as a highly secured storage facility. What could go wrong, right? Cut to the present, when the military has sealed the lowest sublevel of the cave, where the fungus is, and sold the rest of the space to a self-storage company. Add a little climate change to raise the underground temperature, and the novel kicks into high gear. Koepp keeps a tight focus on three characters: Diaz, who is called out of retirement to handle the situation secretly, and two guards at the storage facility. Travis “Teacake” Meacham is an ex-convict trying to get his life back on track. Naomi Williams is a college student with two jobs and a sweet little daughter she’s raising as a single mother. When the two try to track down an unfamiliar warning signal going off in the facility, they find a nightmare. Koepp builds a tight plot as the three race against time and the fungus, a fictional but all-too-convincing monster of an organism that, if it escapes, could bring on global extinctions. Roberto, Travis, and Naomi are engaging, believable characters. Koepp is skilled at sharp, often humorous dialogue, and Roberto’s discovery of the physical barriers to being a hero at age 68 is both darkly funny and an effective source of suspense.

Unlikely heroes battle a frightening fungus that could wipe out humanity in this taut, mordant thriller debut.

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-291643-3

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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