The author of The Little Girl Book (not reviewed) attempts in his adoring study to view eight American authors' lives and works in the context of their major literary friendships. Stating that his object is to explore ``epiphanic moments'' in the friendships of four pairs of writers, Laskin begins with Herman Melville and Nathaniel Hawthorne, ``primordial gods, titans'' who shared a relationship that is, in this book, no less than archetypal. Beneath the cloying hero worship it's possible to discern a pair of talented but very human beings, with Hawthorne shrinking somewhat from the emotional heartiness of Melville's high regard. Similarly Edith Wharton, possessed of considerable wealth and commercial success, bowled over a somewhat jealous Henry James emotionally just as she swept him up in her fast, newfangled motorcars. Before their professional relationship blossomed into a personal one, Katherine Anne Porter promoted Eudora Welty's career but was not above feeling a twinge of jealousy at Welty's success with Delta Wedding while she struggled to produce Ship of Fools. Restrained Elizabeth Bishop and explosive Robert Lowell are depicted finding an uneasy common ground that is reflected in their poetry. Although these writers and their friendships are inherently interesting, Laskin treats his subjects as little more than celebrities, reading their works like tabloids to find clues to their lives (a technique that James pokes fun at in his story ``The Figure in the Carpet''). The worst moments are such random leaps into the bizarre as the author's speculation that Lowell, who died suddenly, might have ``interceded for Bishop from beyond the grave'' (because she died the same way) or his observation that Lowell's ongoing struggle with mental illness somehow marked him as a poet—Laskin's naivetÇ is cringe-inducing. A pedestrian effort that says little new or enlightening about these literary lives or the nature of friendship.
Pub Date: May 1, 1994
ISBN: 0-671-72419-3
Page Count: 512
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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