An ambitious, experimental look at exodus, acclimatization and culture with a cast as diverse as any family photo album.
A Jewish writer explores his heritage in a speculative family history that mirrors the triumphs and tragedies of the 20th century.
Laskin (The Long Way Home: An American Journey from Ellis Island to the Great War, 2010, etc.) stays firmly within his characteristic style of anecdotal guesswork in chronicling the fates of three branches of his family tree. While his journalistic consistency may be a bit dubious, the author knows how to zero in on a good story. Starting with a rumor that Joseph Stalin’s enforcer Lazar Kaganovich might be a distant relation, Laskin dives deeply into the lives and times of his relatives, dating back to the late 19th century in Volozhin, Russia. It’s after the family’s move to Belarus that the narrative gets really interesting. One branch, largely led by Maidenform Bra founder Ida Rosenthal, landed in New York and Americanized everything about themselves, abandoning names, homes and traditions. “Others step off the boat, fill their lungs with the raw unfamiliar air, and get to work. They never look back because they never have a moment to spare or an urge to regret,” writes the author. Another couple, Chaim and Sonia, became hard-core Zionist pioneers in the wilds of Palestine. Another entire branch was lost to the Holocaust, a richly imagined tragedy but one that Laskin has largely plucked from history books. Were this fiction, it would read much like the novels of Leon Uris and other spinners of historical sagas, as Laskin ties his relatives to events ranging from the Russian Revolution of 1917 to Black Friday to the establishment of Israel. The telling of the tales and the recollection of history eventually breaks the author’s assumptions that his family was all about business. “Now I see how wrong I was,” Laskin writes. “History made and broke my family in the 20th century.”
An ambitious, experimental look at exodus, acclimatization and culture with a cast as diverse as any family photo album.Pub Date: Oct. 15, 2013
ISBN: 978-0-670-02547-3
Page Count: 400
Publisher: Viking
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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