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CLEANING UP

Name: CLEANING UP
Author: David Lebedoff
ISBN: 0-684-83706-4

THE EXXON VALDEZ CASE, FROM 3 DRINKS TO 5 BILLION DOLLARS

by David Lebedoff ‧ RELEASE DATE: Nov. 1, 1997

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A blow-by-blow account of legal actions taken against the Exxon Corporation in the wake of the March 23, 1989, Exxon Valdez disaster. Reading this book by attorney/novelist Lebedoff (Ward Number Six, 1972) is much like watching one of the new-realism courtroom dramas on network TV: The pace is hectic; the actors are strapping he-men or (as Lebedoff writes of a young prosecutor) doubles for Daryl Hannah, their characters transparently evil or good; and the script is packed with enough technical detail to satisfy the demand for verisimilitude. Thus, you will learn how lawyers bill clients for their time, how legal reputations are made and broken, and even how toxicologists determine hours after the fact how much alcohol a person may have consumed before, say, an arrest for reckless driving. The last issue was key to the notorious Valdez case, in which Captain Joseph Hazelwood, not long after consuming numerous shots of distilled spirits, left the bridge of the oil tanker he commanded, ordering a subordinate to steer it past a dangerous reef off the Alaska coast. The untested subordinate steered the massive ship onto the rocks; millions of gallons of oil spilled into the waters, ruining ecosystems and fisheries. Lebedoff's hero, plaintiff's attorney Brian Boru O'Neill, instantly leaps into action, arguing that Exxon knew Hazelwood was an alcoholic and that the company itself was therefore responsible for the huge environmental disaster. Through twists and turns of argument, which take up most of the book, O'Neill comes to convince a dozen jurors of the justice of his cause—and to extract a $5 billion settlement against the petroleum giant. Why that sum, the largest ever awarded in a class-action suit? Lebedoff explains the calculus down to the last cent, which should make this book of particular interest to budding attorneys. Lebedoff's narrative is far more satisfying than any John Grisham concoction, and it affords an illuminating look at the legal system today.

Pub Date: Nov. 1, 1997

ISBN: 0-684-83706-4

Page Count: 336

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.