This fourth life of writer James Baldwin won't give a bad name to authorized biographies, but neither will it elevate the suspect genre to new heights. Leeming (English/Univ. of Connecticut) met Baldwin in 1961. By then, Baldwin was perhaps the best-known and most widely read living black writer in the United States. Their meeting place was Istanbul, where Leeming was teaching and Baldwin was visiting a friend. Although Leeming's presence in this biography is minimal- -even in the Turkish chapters—his professional and social relationship with Baldwin grew rapidly. He was designated authorized biographer and granted access to Baldwin's private papers in 1977, ten years before Baldwin's death at 63. Throughout the text, Leeming seems to struggle with his official status; he slips into the various roles of friend, sycophant, defender, and personal secretary. The alternate references to ``Jimmy'' and the more formal ``Baldwin'' give the book a split personality. Despite this schizophrenic tone, this biography has value as a life chronicle. After all, Leeming saw and heard a great deal that previous Baldwin biographers had no opportunity to see or hear. Leeming deals extensively with Baldwin's precarious (and shifting) place on the racial divide, with his homosexuality, and with the mental instability that led to suicide attempts. Leeming does a workmanlike job of portraying Baldwin's Harlem childhood, the writing of the early books, Go Tell It on the Mountain and Giovanni's Room (among others), the search across the world for a country to call home, and much more. The book is rich in detail but not overly long. Baldwin's life was so inherently fascinating that only a hack could make it dull. Leeming is no hack. But, despite Baldwin's labeling of Leeming as ``my Boswell,'' the biographer is clearly not that, either.
Pub Date: April 10, 1994
ISBN: 0-394-57708-6
Page Count: 464
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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