This fourth life of writer James Baldwin won't give a bad name to authorized biographies, but neither will it elevate the suspect genre to new heights. Leeming (English/Univ. of Connecticut) met Baldwin in 1961. By then, Baldwin was perhaps the best-known and most widely read living black writer in the United States. Their meeting place was Istanbul, where Leeming was teaching and Baldwin was visiting a friend. Although Leeming's presence in this biography is minimal- -even in the Turkish chapters—his professional and social relationship with Baldwin grew rapidly. He was designated authorized biographer and granted access to Baldwin's private papers in 1977, ten years before Baldwin's death at 63. Throughout the text, Leeming seems to struggle with his official status; he slips into the various roles of friend, sycophant, defender, and personal secretary. The alternate references to ``Jimmy'' and the more formal ``Baldwin'' give the book a split personality. Despite this schizophrenic tone, this biography has value as a life chronicle. After all, Leeming saw and heard a great deal that previous Baldwin biographers had no opportunity to see or hear. Leeming deals extensively with Baldwin's precarious (and shifting) place on the racial divide, with his homosexuality, and with the mental instability that led to suicide attempts. Leeming does a workmanlike job of portraying Baldwin's Harlem childhood, the writing of the early books, Go Tell It on the Mountain and Giovanni's Room (among others), the search across the world for a country to call home, and much more. The book is rich in detail but not overly long. Baldwin's life was so inherently fascinating that only a hack could make it dull. Leeming is no hack. But, despite Baldwin's labeling of Leeming as ``my Boswell,'' the biographer is clearly not that, either.
Pub Date: April 10, 1994
ISBN: 0-394-57708-6
Page Count: 464
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
BOOK TO SCREEN
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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