Not a fun read, but a wonderfully crafted portrait of a tormented homosexual writer.
A revealing biography of the brilliant, arrogant author of The Gallery (1947), a celebrated World War II novel.
John Horne Burns (1916–1953) grew up in a wealthy New England family and attended Harvard, where he began a lifetime of drinking that ended in lonely days as a regular at a hotel bar in Italy, where he died an embittered drunk at age 36. He attended and taught at Loomis, a prep school outside Hartford, Conn. As a student there many years later, Vanity Fair contributor Margolick (Elizabeth and Hazel: Two Women of Little Rock, 2011, etc.) became fascinated by the forgotten author whose Lucifer with a Book (1949), a vicious novel about Loomis, was forbidden reading at the school. Years later, Margolick encountered The Gallery, about U.S. soldiers in occupied Naples in 1944–1945, “perhaps America’s first great gay novel.” Even Margolick’s warning that Burns was a difficult man to like does not fully prepare readers for this story of an obnoxious, hypercritical, mean-spirited loner. For all his negativity, however, Burns was able to write his life-embracing The Gallery, a compassionate view of characters passing through a vast arcade, including gays in uniform. Always arrogant, Burns had nonetheless become more open-minded and decent as a result of his wartime experiences that inform the novel. Sensitive, well-researched and drawing nicely on the novelist’s vivid letters, the book covers Burns’ abnormally close relationship with his heiress mother; his years as a student and, later, disgruntled teacher at Loomis; his wartime postings in North Africa and his beloved Italy; and his career as an author, from the ecstatic acclaim for his war novel, to the poor reviews of later works, to his rivalry with Gore Vidal, who called Burns “a gifted man who wrote a book far in excess of his gift.”
Not a fun read, but a wonderfully crafted portrait of a tormented homosexual writer.Pub Date: June 4, 2013
ISBN: 978-1-59051-571-6
Page Count: 320
Publisher: Other Press
Review Posted Online: May 25, 2013
Kirkus Reviews Issue: June 15, 2013
PROFILES
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
