To call Mark’s novels (Taking Pity, 2015, etc.) police procedurals is like calling the Mona Lisa a pretty painting....
A British policeman blunders into gang warfare and worse in New York City.
DS Aector McAvoy of the Humberside Police knows what’s important to him: his wife, Roisin; their children; his boss, Trish Pharaoh; and his job. When Irish boxer Shay Helden is murdered and his coach, Brishen Ayres, badly wounded and left in a coma while on a trip to New York, the Traveler families of both men suspect rival Traveler and fellow boxer Valentine Teague, who is Roisin’s brother. Pharaoh pulls strings to get Aector sent to New York to try to prove Valentine innocent before the long-simmering differences between the Traveler families become open warfare. His NYPD liaison, Ronald Alto, has been told only that Aector has knowledge that might help with the case, but Aector opens up to him, which puts Valentine on the suspect list in New York. Since the visitors had been in New York only two days and spent most of their time at the gym in hopes of arranging a boxing match for Shay with a major promoter, the police are having trouble establishing another motive. The pair also visited Saint Colman’s church, the former parish of Father Jimmy Whelan, a popular priest now in Ireland who helped Valentine get a last-minute passport to follow Shay and Brishen. Aector’s questions attract the interest of the Italian and Russian mafias, who both have an interest in boxing, legal and otherwise. Helping the NYPD catch a sexual predator helps establish Aector with the locals, but much is still being hidden from him. Occasional chapters throughout the book reveal the thoughts of both a stone-cold Mafia hit man and a psychopathic killer whose horrific crimes may be related to both the Mafia and the church. Though he’s never imagined chatting face to face with Mafia bosses, that may be the only way he can untangle a series of murders past and present and save Valentine.
To call Mark’s novels (Taking Pity, 2015, etc.) police procedurals is like calling the Mona Lisa a pretty painting. Beautifully crafted, filled with flashbacks, horror, angst, and chilling detail, this one is his most complex and best yet.Pub Date: Feb. 7, 2017
ISBN: 978-0-399-18511-3
Page Count: 368
Publisher: Blue Rider Press
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Relax, enjoy, and marvel anew at the power of unbridled fictional invention.
Rejoice, fans of American madness who’ve sought fulfillment in political reportage. South Florida’s master farceur (Skink—No Surrender, 2014, etc.) is back to reassure you that fiction is indeed stranger than truth.
Even though a prefatory note indicates that both the come-hither title and the stuff about giant Gambian pouched rats are rooted in reality, no one but Hiaasen could have dreamed up the complications arising from the collision of Merry Mansfield with talent agent Lane Coolman—a literal collision, since she rams his rented car while shaving her bikini area in the driver's seat of a Firebird. Make that multiple collisions, since Lane turns out to be only the latest victim of Merry and her partner Zeto’s kidnap-for-hire schemes. In this case, he’s the wrong victim, mistaken for beach-replenishment contractor Martin Trebeaux, whose swindling has put him on the wrong side of Calzone crime family capo Dominick "Big Noogie" Aeola. Since Coolman’s being held captive, he can’t be on hand to walk his client Buck Nance, the reality star of Bayou Brethren, though a personal appearance at the Parched Pirate, and Buck goes off script into a racist rant that sparks a demonstration and sends him fleeing, though he's still capable of inspiring Benny Krill, a murderous apprentice racist who dreams of joining him on his show. After laboring in vain to persuade Jon David Ampergrodt, his boss at Platinum Artists Management, as well as Merry and Zeto that he’s worth ransoming, Coolman escapes, but it doesn’t matter: he’s still confined in the zoo that’s Key West, where liability lawyer Brock Richardson’s fiancee loses the $200,000 ring he didn’t bother to resize after his fatter former fiancee returned it, and when his neighbor, health inspector Andrew Yancy, discovers it, he hides it in the hummus in the hope that an indefinite search for the bauble will stall Richardson’s plan to build a McMansion that will obstruct Yancy’s sea view. Etc. How can Hiaasen possibly tie together all this monkey business in the end? His delirious plotting is so fine-tuned that preposterous complications that would strain lesser novelists fit right into his antic world.
Relax, enjoy, and marvel anew at the power of unbridled fictional invention.Pub Date: Sept. 6, 2016
ISBN: 978-0-385-34974-1
Page Count: 352
Publisher: Knopf
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Readers who’ve always wanted to see Spenser in Tinseltown can cross that off their bucket lists.
Spenser goes to Hollywood.
In the two years since she’s moved from Cambridge to Los Angeles in pursuit of stardom, Gabrielle Leggett has been a dog walker, a personal assistant, a model, an actress, a media influencer, and now, for the past two weeks, a missing person. The LAPD knows about Gabby’s disappearance, but her mother, dissatisfied with their efforts, sends Spenser (Robert B. Parker’s Old Black Magic, 2018, etc.) out to the Left Coast to do the job right. Predictably, Gabby’s agent and former romantic partner, Eric Collinson, doesn’t want to talk to him. Neither does Jeffrey Bloom, the acting coach who thought Gabby had just dropped out of his class, or Jimmy Yamashiro, the married studio CEO who took Collinson’s place. And the only thing publicist Nancy Sharp, Gabby’s ex-boss, wants to talk about is how much fun she and Spenser could have if he’d only lighten up. Eventually Spenser works his contacts to get an audience with Yamashiro, but the results are less than impressive. He must be making an impression, though, because five Armenian thugs ambush him and shoot his West Coast associate, Zebulun Sixkill, in the arm, disabling him and requiring Spenser to look for another sidekick. Eventually he gets a lead that connects Gabby to Joseph Haldorn, aka Phaethon, the founder of HELIOS, a hush-hush organization that promises self-actualization and conducts itself suspiciously like a cult. But instead of thickening, the mystery surrounding Gabby just gets more violent and diffuse. Surprisingly, Atkins gets the hardest parts right—his hero/narrator now sounds indistinguishable from Robert B. Parker’s—but bogs down in the plotting, the area in which he presumably had the freest hand. As for the cod-out-of-water milieu, it evokes not so much particular SoCal locations as dozens of earlier SoCal whodunits.
Readers who’ve always wanted to see Spenser in Tinseltown can cross that off their bucket lists.Pub Date: Nov. 19, 2019
ISBN: 978-0-525-53682-6
Page Count: 320
Publisher: Putnam
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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