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FEVER BEACH

The perfect antidote for anyone who doomscrolls daily headlines: more crazed, rollicking, sharply written sendups like this.

Florida’s preeminent satirist returns to the fray with a worm’s-eye view of MAGA World.

In his time off from packaging Dream Booty sex dolls for Bottom Drawer Novelties, Dale Figgo does his patriotic best to save the nation by hurling plastic bags weighted with sand and filled with antisemitic epithets onto the lawns of gated communities. The disapproving tenant in his extra bedroom, Viva Morales, works as "wealth director" for the Mink Foundation, a nothingburger position that would bother her a lot more if she knew the fate of Rachel Cohen, the predecessor who uncovered some secret details that cofounders Claude and Electra Mink wanted to keep secret. Congressional Representative Clure Boyette, in the middle of what should be an easy reelection campaign and a much tougher divorce from his wife, Nicki, who’s collected abundant evidence of his infidelities, wants the Minks to fund Wee Hammers, which is just like Habitat for Humanity except that the habitats are built by child labor. Figgo and his best friend, white supremacist Jonas Onus, have a serious falling out over the demand by Clure’s father, kingmaker Clay Boyette, that Figgo accept Onus as an equal partner in Strokers for Liberty, the organization of lunatic activists he’s founded, and a calamitous demonstration at a gay bar in Key West. It all sounds so busy, dizzy, and fizzy that it makes perfect sense when Janice Eileen Smith, who in her role as Galaxy is Clure’s mistress in every sense of the word, breaks away from him, bonds with Viva, and starts her own counterplot, just like every other member of the cast.

The perfect antidote for anyone who doomscrolls daily headlines: more crazed, rollicking, sharply written sendups like this.

Pub Date: May 13, 2025

ISBN: 9780593320945

Page Count: 384

Publisher: Knopf

Review Posted Online: May 12, 2025

Kirkus Reviews Issue: June 15, 2025

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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