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THE WHISPERING DEAD

A brisk, astute espionage thriller with a compelling moral core.

No matter how deeply buried, some secrets have a way of coming uncomfortably to light.

A brooding, evocative prologue set in 1968 introduces young Cordelia Hemlock, restlessly staring at a joyless gray sea as she stands on the verge of a consequential career with MI6. The story then jumps to 2016, which finds Cordelia comfortably retired, living in the north of England, and meeting journalist Paolo Fergus, who’s recently posted a blistering exposé about death squads in Belize, the threat of revolution in Guatemala in the 1980s, and the involvement of MI6 therein. The puzzle pieces that explain the crimes he’s reported fall progressively into place through alternating narratives from shrewd, quick-thinking Cordelia, writing in Guatemala in 1983, and hapless, middle-aged Felicity Goose, offering a different perspective via transcript in 2016. After Felicity and her husband, John, have been inexplicably taken prisoner not far from Cordelia’s current home, John has the unenviable task of explaining his covert past as a spy working with Cordelia to his wife. On one level, the subtly layered novel is a study in contrasts. Mark gets maximum mileage from the disparity between his two female leads. Cordelia responds to threats with cool calculation; Felicity is understandably distraught—until she comes to display a firm resolve reminiscent of the veteran spy. Simmering beneath the twisty plot are questions about ethics, colonialism, and misogyny that add relevance and raise the novel above many of its familiar spy-story tropes.

A brisk, astute espionage thriller with a compelling moral core.

Pub Date: Dec. 6, 2022

ISBN: 978-0-7278-5055-3

Page Count: 224

Publisher: Severn House

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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AN INSIDE JOB

A rather flat entry in a generally excellent series.

The 25th novel featuring Silva’s legendary protagonist.

During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.

A rather flat entry in a generally excellent series.

Pub Date: July 15, 2025

ISBN: 9780063384217

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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  • New York Times Bestseller

Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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