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DUCK SEASON

Warm recollections to please fellow Francophiles.

A debut memoir about eight months of French culinary delights.

In 2012, food writer and Chicago Magazine features editor McAninch was sent on assignment to Gascony, a fertile agricultural region bordering the Pyrenees in southwest France, to write a piece about duck. Although he had passed through the area on other visits, this time the “card-carrying Francophile” was smitten. Everything about Gascony entranced him: the amazing food, wines, customs, and people, who “seemed more open-minded than their compatriots,” importing from Spain “an easy warmth and boisterousness.” Forgoing trendiness (no nouvelle cuisine here), cooks created “dishes of immense depth from a limited palette of local ingredients that hadn’t expanded in generations.” Following a plot that has now become familiar, McAninch became obsessed, imagining Gascony as “a kind of Brigadoon,” and conceived the idea of writing about a region that he believed had been overlooked in favor of the more picturesque Provence. Soon, he, his wife, and young daughter were installed in an old water mill in the village of Plaisance, where they would experience all the blessings Gascony could offer from May to December. McAninch tells a charming but predictable tale of abundant meals prepared by fabulous cooks in their own kitchens or modest restaurants. The author enrolled in cooking classes and private lessons, practicing his new skills in his rudimentary kitchen. Meals, he writes, “became the organizing principle of our daily life.” Besides garbure (cabbage and white bean soup), poule au pot (chicken in a pot), duck confit, foie gras, seared duck breasts, and cream-filled tarts—recipes included—wine and beer flowed at every event, morning, noon, and night. “Glasses were filled, emptied, and filled again,” could serve as the book’s refrain. As in most such memoirs, the visiting Americans encounter kindly, sometimes-eccentric, always colorful, and voluble characters, such as the taciturn cheese maker who sometimes, but not always, manages to bring his wheels of cheese to market.

Warm recollections to please fellow Francophiles.

Pub Date: March 7, 2017

ISBN: 978-0-06-230941-9

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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