by David McKee & illustrated by David McKee & developed by Oceanhouse Media ‧ RELEASE DATE: May 9, 2011
Featuring appropriate audio effects, this digital version of the 2009 episode starts off with a noise issue when the...
The patchwork pachyderm again finds a way to wage peace.
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Featuring appropriate audio effects, this digital version of the 2009 episode starts off with a noise issue when the elephants duding themselves up for Elmer’s special parade get a little overexcited. “That’s a bit of a racket your chaps are making!” complains Lion, echoed by a number of irritated animals. Elmer ultimately orchestrates amity by inviting everyone to join the elephants in decorating themselves in colorful patterns or splashes of color and marching in the grand promenade. (Elmer himself covers his patchwork with elephant-colored berry juice.) Per Oceanhouse Media’s usual style, there are no animations in the bright cartoon-style illustrations, but an artful use of shifts and close-ups compensates nicely for the lack. Along with a “no-hands” automated mode, the tale can be read on manual advance either silently or by a lively British narrator with running highlighted words. Not only will touching any word in the manual modes activate a pronunciation, tapping any of the animals, plants or even the sky brings an identifying label into temporary view. Better yet, those labels are pronounced, which allows children with busy fingers to create a cacophony of their own to go along with the rising tide of animal noises accompanying a final exuberant rumpus.Pub Date: May 9, 2011
ISBN: N/A
Page Count: -
Publisher: Oceanhouse Media
Review Posted Online: May 26, 2011
Kirkus Reviews Issue: June 15, 2011
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2016
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
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