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FORTY THE FORTUNE TELLER

Comprehension sacrificed in the name of goofiness.

An epic quest to save the day begins with an unlikely hero.

A folded paper fortune teller game discovers that she’s been abandoned on the school playground before anyone got a chance to use her. After she meets up with a partially eaten chip named (you guessed it) Chip, the two set off to return an errant bolt to a slide’s ladder. Along the way, they encounter various foes—a squirrel, a basketball, a cloud—each of whom is defeated as Forty tells them a ridiculous fortune (“Your bottom will turn into balloons and you will float away!”) that inexplicably becomes true. By the end, it’s clear that “Forty” doesn’t stand for “Fortune Teller” but for “Fortitude,” and the tale concludes with a tacked-on message about how everyone can write their own fortunes. Frankly, it doesn’t make a whole lot of sense. Throughout, Daywalt throws a wide variety of ideas onto the page with only the most tenuous strings of connection keeping the story together. Thematically, the book resembles his The Legend of Rock, Paper, Scissors (2017), illustrated by Adam Rex, yet it lacks that work’s cohesive and comprehensible storytelling, raising more questions than it answers. Cornell’s lively, comic book–style art tries in vain to wrestle Daywalt’s writing into some semblance of order.

Comprehension sacrificed in the name of goofiness. (Picture book. 4-7)

Pub Date: Feb. 24, 2026

ISBN: 9780593691465

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 25, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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