by David McPhail & illustrated by David McPhail ‧ RELEASE DATE: July 1, 2011
Many kids, like Pig Pig, thrive on routine; reading this over and over is likely to become part of many young readers'...
The clever title reveals two meanings: First, that a classic character stars in a new book for the first time in decades; second, that this story is likely to end in a satisfying return home.
Pig Pig, a favorite from Pig Pig Grows Up (1980), Pig Pig Rides (1982), etc., is about to take a cross-country trip with his aunt and uncle, but without his mother (and cat, Fluffy). The young porker experiences worries common to young children: separation anxiety and fear of the unfamiliar. At first, Pig Pig "was concerned that his mother and Fluffy would miss him too much." As they get under way, it's true that things don't always go as planned; for example, the view from the top of a mountain is completely fogged in. But Pig Pig soon forgets his fears; his adventures include visiting a house made of soda cans, a boulder in the shape of an elephant and more. He's having so much fun that there's nothing to be anxious about—except returning home. As in previous Pig Pig stories, McPhail accurately and humanely addresses a universal concern. The pale watercolor illustrations outlined in scratchy, thin black line suit the gentle, reassuring story.
Many kids, like Pig Pig, thrive on routine; reading this over and over is likely to become part of many young readers' routines. (Picture book. 3-7)Pub Date: July 1, 2011
ISBN: 978-1-58089-356-5
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by James Luna & illustrated by Laura Lacámara & translated by Carolina Villarroel ‧ RELEASE DATE: Nov. 30, 2010
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by James Luna ; illustrated by Monica Barela-di Bisceglie ; translated by Gabriela Baeza Ventura
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edited by Kurt Schweigman Lucille Lang Day introduction by James Luna
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