by David Merveille ; illustrated by David Merveille ‧ RELEASE DATE: May 1, 2016
Deft hommage, but hilarious even outside that context.
A droll seaside idyll, paying tribute as much to film comedies of the silent era as to the 1953 movie that inspired it.
In wordless, monochrome, mostly full-page illustrations, Merveille considerably reworks and abbreviates the plot of Les Vacances de M. Hulot but preserves both the pipe-smoking title character’s amiable imperturbability and the original’s nonstop succession of sandy distractions, minor disasters, and comical set pieces. A positive magnet for mishaps, hardly does Hulot stroll onto the beach before he’s doing classic battle with a folding lounge chair. There follows business with beach balls and children, a sea gull who steals his shoe, some funny improv with a seashell after he drops his pipe in the water, and other incidents. Finally, he falls asleep on the aforementioned chair and floats out to sea—fetching up in an English hamlet where he is last seen offering his by-now-tattered newspaper (its palest yellow the only spot of color in the art) to an astonished resident. Practically every picture is either a punch line or an obvious setup for one, but even young audiences unexposed as yet to the Chaplins and Keatons of yore will have no trouble either connecting the dots or appreciating the visual jokery.
Deft hommage, but hilarious even outside that context. (Picture book. 6-8)Pub Date: May 1, 2016
ISBN: 978-0-7358-4254-0
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
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by Robert Munsch & illustrated by Dušan Petričić ‧ RELEASE DATE: Sept. 1, 2012
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Emma Yarlett illustrated by Emma Yarlett ‧ RELEASE DATE: Dec. 1, 2018
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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