One of the prettiest paeans to the codex in recent memory.

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This book quietly praises reading as a path to imaginative adventures while also taking several gentle swipes at high-tech gadgetry.

“And when your time comes to a close and the other world begins to call, don’t worry.” No, this close-to-the-final-page sentence does not refer to death but to leaving one’s book life for what some call “real life.” The beginning of the book makes it clear that a book is “quiet” and “ordinary”—“No buttons. No bonus levels”—until “you learn to look closer….” Thoughtful, poetic phrases are well-matched by mixed-media artwork that includes scraps of typed words in French and English, some of which are authors’ names. A black-haired Caucasian child in a red-and-white–striped shirt moves through a nonthreatening, fantastical world where “imagination scrapes the skies of opportunity, / the forests of what-could-be stretch beyond the horizon, // and the friends of fact and fiction make believe all night long under the milky stars of possibility.” Pastel skies lead to firefly-bedecked nights, adding a bedtime story’s allure. If this book is published as an e-book or app, some of its appeal will give way to irony. Its humor lies in such digs as, “It will never be sick, because viruses can’t catch it. // It will never go dark, because it doesn’t need batteries.”

One of the prettiest paeans to the codex in recent memory. (Picture book. 3-8)

Pub Date: July 14, 2015

ISBN: 978-1-939629-65-4

Page Count: 32

Publisher: Familius

Review Posted Online: March 11, 2015

Kirkus Reviews Issue: April 1, 2015

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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A comical, fresh look at crayons and color

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THE DAY THE CRAYONS QUIT

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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