Welcome back, Otto. Glad you’re here to stay
Almost a decade and a half after crash-landing on Earth in See Otto (2002), Milgrim’s lovable robot is back and thinking about returning home.
“See Otto.” Readers see Otto looking at a family portrait of two adult robots and one child robot. “See Otto look at his home” reveals the robot peering through a telescope. An expansive, wordless double-page spread following shows Otto looking up at the stars, the family picture clamped in one “hand,” before getting to “work, work, work” in subsequent spreads. “No, Otto, no!” readers may well protest as they watch the robot hammering and welding scrap metal into a booster-rocket backpack, and it’s clear that’s what his animal pals are thinking as they bid him adieu. But although Otto goes “up, up, up,” with an “uh-oh,” Otto goes “down, down, down”—then left and right, and then “here” (through a desert) and “there” (past some penguins), ultimately only to get “nowhere.” As in the earlier installments in the Adventures of Otto, Milgrim combines very few words arranged in easy-to-decode patterns with a perfect balance of laugh-out-loud slapstick and honest emotion—here, real pathos—for a rich, complete story readers just taking baby steps toward literacy can manage. When Otto looks up from the wreckage to see his jubilant friends and realizes he’s “looking at his home” and his found family, readers will feel the complexity of his emotions.
Welcome back, Otto. Glad you’re here to stay . (Early reader. 4-8)Pub Date: May 24, 2016
ISBN: 978-1-4814-6724-7
Page Count: 32
Publisher: Simon Spotlight
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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