If Thatcher’s 1984 is bleak, then get a load of what awaits us in 2030. Speculative, lyrical and unrelentingly...
Mitchell’s latest could have been called The Rime of the Ancient Marinus—the “youthful ancient Marinus,” that is. Another exacting, challenging and deeply rewarding novel from logophile and time-travel master Mitchell (Cloud Atlas, 2004, etc.).
As this long (but not too long) tale opens, we’re in the familiar territory of Mitchell’s Black Swan Green (2006)—Thatcher’s England, that is. A few dozen pages in, and Mitchell has subverted all that. At first it’s 1984, and Holly Sykes, a 15-year-old suburban runaway, is just beginning to suss out that it’s a scary, weird place, if with no shortage of goodwilled protectors. She wants nothing but to get away: “The Thames is riffled and muddy blue today, and I walk and walk and walk away from Gravesend towards the Kent marshes and before I know it, it’s 11:30 and the town’s a little model of itself, a long way behind me.” Farther down the road, Holly has her first inkling of a strange world in which “Horologists” bound up with one Yu Leon Marinus and, well, sort-of-neo-Cathars are having it out, invited into Holly’s reality thanks to a tear in her psychic fabric. Are they real? As one strange inhabitant of a “daymare” asks, “But why would two dying, fleeing incorporeals blunder their way to you, Holly Sykes?” Why indeed? The next 600 pages explain why in a course that moves back and forth among places (Iceland, Switzerland, Iraq, New York), times and states of reality: Holly finds modest success in midlife even as we bone clocks tick our way down to a society of her old age that will remind readers of the world of Sloosha’s Crossin’ from Cloud Atlas: The oil supply has dried up, the poles are melting, gangs roam the land, and the old days are a long way behind us. “We live on,” says an ever unreliable narrator by way of resigned closing, “as long as there are people to live on in.”
If Thatcher’s 1984 is bleak, then get a load of what awaits us in 2030. Speculative, lyrical and unrelentingly dark—trademark Mitchell, in other words.Pub Date: Sept. 2, 2014
ISBN: 978-1-4000-6567-7
Page Count: 704
Publisher: Random House
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
PROFILES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
