HATER

Name: HATER
Author: David Moody
ISBN: 978-0-312-38483-8

by David Moody ‧ RELEASE DATE: Feb. 1, 2009

At times savagely brutal—the moments of outrageous violence may be considered over-the-top by some readers—but engrossing...

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Originally self published in 2006, British author Moody’s thriller concerns a young father who attempts to save himself and his family from a world moving inexorably and mysteriously toward chaos and violence.

Danny McCoyne spends his days plugging away at a thankless, unfulfilling job as a minor bureaucrat in an unnamed English city. His relationship with his wife and kids suffers the occasional stress-related strain. Money is tight, and his prospects are few and distant. Still, he’s a decent enough bloke, and definitely not the sort to think in violent terms. So when he witnesses a series of brutal attacks, he’s somewhat at a loss. Were these isolated instances or signs of something larger? Danny isn’t the only one noticing the uptick in violence, however. Soon news reports are full of stories about Haters—once well-behaved, normal people who begin unleashing vicious, seemingly unprovoked attacks on friends, family members and strangers with often homicidal aggression, and no one seems to know why. After things start getting really out of hand, Danny begins to suspect that something big may be happening, something which the powers that be want to keep quiet. He just needs to keep his family and himself alive long enough to figure out what’s happening. The novel moves at a deliberate, relentless pace, feeding readers just enough information to keep them perplexed and paranoid, and the depiction of a society being rent at the seams by violence rings true. Moody creates some truly chilling scenes, but there are also flashes of black comedy.

At times savagely brutal—the moments of outrageous violence may be considered over-the-top by some readers—but engrossing and effective.

Pub Date: Feb. 1, 2009

ISBN: 978-0-312-38483-8

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).