Readers who don’t know much about art but know what they like will still be able to look down their noses at these worthies.
Carnac’s whodunit, first published in 1953, might just as well have been titled “Murder Among the Not-So-Fine Art.”
In the initial glow following the Second World War, John Joyce-Lawrence, the first to be appointed the U.K.’s Minister of Fine Arts, plastered his own office in Medici House with paintings which, owing to the new ministry’s financial constraints, were a distinctly mixed bag. After Joyce-Lawrence died of pneumonia, he was succeeded by the Right Honourable Alfred Higginson, who had no eye for the visual arts and no interest in the building’s collection. He’s been replaced in turn by Humphry David, a man of undoubted intelligence and capability who’s no more expert in the field. But he does agree with his chief deputy, Edwin Pompfret, that the enormous marble bust of the last Earl of Manderby, allegedly created by the sculptor Canova in 1815 and now prominently displayed at the top of the state staircase, is “frightful” and should be hidden away. As it happens, Pompfret and the bust, both nicknamed Pompey, exit Medici House on the same night, when the bust apparently falls from its perch down the stairs and Pompfret is crushed to death under its rubble. Chief Detective-Inspector Julian Rivers, called to the scene, must establish whether the death was accidental or deliberate—and, if it was deliberate, who killed Pompfret, and why, and above all how. The answers, sad to say, are much less interesting than the questions. What lingers most appealingly is Carnac’s sharp-tongued portrait of the Ministry of Fine Arts, an impoverished boondoggle populated under the purview of civil servants who have no clue about their nominal area.
Readers who don’t know much about art but know what they like will still be able to look down their noses at these worthies.Pub Date: March 31, 2026
ISBN: 9781464253744
Page Count: 272
Publisher: Poisoned Pen
Review Posted Online: Dec. 9, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.
When a man accused of rape turns up dead, an Early American town seeks justice amid rumors and controversy.
Lawhon’s fifth work of historical fiction is inspired by the true story and diaries of midwife Martha Ballard of Hallowell, Maine, a character she brings to life brilliantly here. As Martha tells her patient in an opening chapter set in 1789, “You need not fear….In all my years attending women in childbirth, I have never lost a mother.” This track record grows in numerous compelling scenes of labor and delivery, particularly one in which Martha has to clean up after the mistakes of a pompous doctor educated at Harvard, one of her nemeses in a town that roils with gossip and disrespect for women’s abilities. Supposedly, the only time a midwife can testify in court is regarding paternity when a woman gives birth out of wedlock—but Martha also takes the witness stand in the rape case against a dead man named Joshua Burgess and his living friend Col. Joseph North, whose role as judge in local court proceedings has made the victim, Rebecca Foster, reluctant to make her complaint public. Further complications are numerous: North has control over the Ballard family's lease on their property; Rebecca is carrying the child of one of her rapists; Martha’s son was seen fighting with Joshua Burgess on the day of his death. Lawhon weaves all this into a richly satisfying drama that moves suspensefully between childbed, courtroom, and the banks of the Kennebec River. The undimmed romance between 40-something Martha and her husband, Ephraim, adds a racy flair to the proceedings. Knowing how rare the quality of their relationship is sharpens the intensity of Martha’s gaze as she watches the romantic lives of her grown children unfold. As she did with Nancy Wake in Code Name Hélène (2020), Lawhon creates a stirring portrait of a real-life heroine and, as in all her books, includes an endnote with detailed background.
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.Pub Date: Dec. 5, 2023
ISBN: 9780385546874
Page Count: 448
Publisher: Doubleday
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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