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THE WALLS AROUND US

THE THINKING PERSON'S GUIDE TO HOW A HOUSE WORKS

``Most...men,'' says New Yorker staff-writer Owen (The Man Who Invented Saturday Morning, 1988, etc.), ``feel a paralyzing fear...at a lumberyard or hardware store.'' Fortunately for the jack-of-few-trades man (or woman), courage—and the knowledge it's based on—can now be gleaned from the author's literate, lucid, and witty guide to home building and repair. Owen's own house, a Connecticut Colonial built around 1790, serves as his model. Needing to repaint the house, for instance, he sets off to find the ultimate paint, winding up at the firm of Keeler & Long, which makes paint for nuclear power plants (``It would probably be expensive,'' muses Owen, ``but it would last practically forever. Using it might even turn out to be a pretty good move, in the event of nuclear war''). There, he learns much about paint—including that the firm's epoxy-based product won't do for him (``epoxies [tend] to deteriorate in sunlight,'' warns proprietor Henry Long)—and passes that information on here, along with his own know-how on the history, nature, and uses and abuses of paints: We learn, for example, the pros and cons of latex paint, the best ways to keep paint from peeling off a house, and, in the sort of unexpected detail that livens every page, the trouble with letting a cow near a freshly oil-painted house—it will lick the paint, which contains flaxseed. Fascinating explorations of walls, roofs, kitchens, bathrooms, electricity, lumber (and its enemies: the stethoscope from a kid's toy medical bag is useful, Owen tells us, for detecting the munching of carpenter ants) follow, and come together in a detailed description of how, using power-tools, he adapted an extra bedroom into a custom-built study. Owen transforms even the repair of a leaking hot-water pipe into an enticing adventure: his congenial guidance will likely enthrall those who enjoy home repair—and, marvelously, many who don't. (Thirty-five line drawings—not seen.)

Pub Date: Oct. 16, 1991

ISBN: 0-394-57824-4

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1991

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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