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MADAME BOVARY’S OVARIES

A DARWINIAN LOOK AT LITERATURE

An amusing, learned and literate look at the naked apes who populate the pages of our most celebrated fiction.

Great works of literature are great, aver the authors, in part because they accurately display human nature in all its Darwinian gore, glory and vainglory.

David P. Barash (The Mammal in the Mirror, 1999, etc.) and daughter Nanelle, a Swarthmore undergraduate, stroll through literature’s great mall and shop with ferocious good humor in all the stores whose offerings support their thesis. They find many novels and plays whose characters behave in ways that bring knowing smiles to the lips of these acolytes of Darwin. Othello and others of his jealous ilk are a lot like elk or elephant seals. Jane Austen (“the poet laureate of female choice”) writes about women who, except for their dress and the social constraints of Victorian England, are not unlike other primates—or peahens, for that matter. Men are unfaithful because, like gorillas, they all want harems; they desire young virgins because then the father can be certain that’s his baby in the womb. Female bluethroats (birds), even those who are supposedly “mated” to another, will flock eagerly around males whose blue throats have been artificially brightened. This helps explain the famously adulterous Madame Bovary and Kate Chopin’s Edna Pontellier. Evolution explains why we prefer our kin to other folks, why stepchildren (and stepparents) have a difficult time finding acceptance, why teenagers and parents will always be at one another’s black-and-blue throats, why males and females bond, making possible our bountiful supply of buddy novels and films. The authors discuss an impressive array of literary works, mostly standard pieces from the Western canon. Heavily represented are Shakespeare, Faulkner, Steinbeck, Austen and Lawrence (whose Lady Chatterley’s Lover comes in for some harsh treatment). But they also provide interesting discussions of Frank Norris, Amy Tan, Jonathan Franzen and August Wilson. One grievous misattribution: Ringo, not Paul, sang “I Get by with a Little Help from My Friends.”

An amusing, learned and literate look at the naked apes who populate the pages of our most celebrated fiction.

Pub Date: May 3, 2005

ISBN: 0-385-33801-5

Page Count: 272

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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