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THE BOOTLEGGER BROADCAST

Tongue-in-cheek military SF that leans heavier on action than comedy.

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A band of space-going reality TV adventurers is forced into a dangerous smuggling escapade to aid an alien civilization of tortoises in their war against genocidal humanoid hares.

Pearce continues his Green Charisma series of sardonic space-opera adventures in this series entry. In the future, videographer-producer-director Ian “Mac” MacIntyre aspires to package a reality TV action series starring his two partners. Joe Drake, portraying Captain Charisma, is a big, boisterous former soldier whose past exploits keep coming back to haunt the team, and Sanraya ba’Marta is a Vellaran—a formidable and alluring female lizard-humanoid—acting as an adjunct fighter and general purpose science officer. (Vellarans’ “heads are roundish, like a human’s, and they have two eyes, two earflaps, and a nose. Granted, their mouths are filled with serrated triangular teeth, but emotionally they differ little from humans.”) She has also become the acrimoniously divorced Mac’s lover (apparently, the sex between Mac and Sanraya is, well, out of this world). But business has been slow, and their Green Charisma Chronicles reality TV enterprise faces ruin if the team fails to contrive episodes with some sort of excitement. The trio undertake an assignment from a non-human humanitarian organization to smuggle vital medicine to a distant, resource-rich world derisively known as Clodhopper. There, a genocidal empire called the Polavians, whose members happen to bear an ironic resemblance to fluffy bunny rabbits, is waging a campaign of occupation and extermination against the less advanced, terrapinlike natives called Clodhoppers. (It’s a tortoise vs. hare situation, but escalated to an interplanetary conflict.) The stakes get higher when the Alliance (a military authority) steps in and forces the heroes to accept contraband weapons to deliver to the embattled Clodhoppers. Further complications include the spaceship provided for the job (an unimpressive-looking vessel piloted by a saucy artificial intelligence), resentful rival mercenaries out to grab the mission for themselves, and the fact that “Captain Charisma” Joe previously fought the nasty, long-eared Polavians during his legitimate military career and is now considered an infamous war criminal with a substantial bounty on his head.

The yarn is mostly military SF blended with a minor, sidelong satire of entertainment media; Mac has to repeatedly remind himself and readers that drone cameras are in play, and that the squad are supposed to be filming a show (“Tracking my gaze, a heads-up display allowed me to control the camera’s flight operations, lighting, focus, zoom function, and other features”). Though generous opportunities for spoofing present themselves readily—after all, we are talking about killer rabbit commandos, not to mention noble Clodhoppers carrying an echo of Teenage Mutant Ninja Turtles in a blink-and-you’ll-miss-it gag reference—the preponderance of the material is delivered in a mock-serious manner by Mac’s he-man first-person narration (“Interrogation is a four-letter word. Nobody likes doing it, myself included, but armies and police have been using it as a means to gather useful intelligence for eons”). Battleground action on land and in the atmosphere rarely lets up, ornamented with occasional inspired puns (the tortoise-folk’s resistance is called the “Shellshock Syndicate”) and absurdities. More rambunctious installments in the series are promised.

Tongue-in-cheek military SF that leans heavier on action than comedy.

Pub Date: Aug. 4, 2024

ISBN: 9798989832132

Page Count: -

Publisher: N/A

Review Posted Online: July 23, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE BOOK OF ELSEWHERE

A well-written if elusive treat for fans of modern mythologizing.

In which the Angel of Death really wants to take a holiday.

“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream-­ and rust-­colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-­huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).

A well-written if elusive treat for fans of modern mythologizing.

Pub Date: July 23, 2024

ISBN: 9780593446591

Page Count: 352

Publisher: Del Rey

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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