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YEATS'S WORLDS

IRELAND, ENGLAND, AND THE POETIC IMAGINATION

Pierce's distant, skeptical, pedantic view of Yeats's life and poetry seems all the weaker next to the lavish illustrations that accompany the text. In what he calls a ``provisional study'' before the full publication of Yeats's correspondence and other relevant volumes, Pierce (English/Univ. College of Ripon and York St. John; James Joyce's Ireland, 1992, not reviewed) takes a neutral if lackluster biographic stance towards Yeats's individual brand of literary-patriotic Irish nationalism and his self-creation out of the Celtic Twilight. Although Pierce is aware of the contradictions Yeats faced—an aristocrat by temperament but of the mercantile class by birth, a spiritualist and an Irish nationalist but of Protestant Anglo-Irish stock—he simply does not explore them to the depths Yeats did himself. Pierce's book has its strengths, which include a survey of 19th-century Irish nationalist writings that preceded (and arguably influenced) Yeats and a personable if still incomplete portrait of his wife, Georgina Hyde-Lees. Usually a peripheral figure in Yeats biographies, ``George'' comes out as a more formidable and humorous character in her letters here than she does in the well-known automatic writing that she provided for her husband's poetic inspiration. Pierce's pluses are unfortunately detracted from by a schoolmasterish approach to Yeats's poetry, which includes charts and tables of literary output, and a perfunctory examination of more familiar biographic and historical matter. The portraits of the poet's father, John Butler Yeats, and of Lady Gregory, Maude Gonne, Ezra Pound, and others are sketchy, and knottier problems such as Yeats's attitude to Easter 1916 and fascism remain stuck. This volume's illustrations handsomely evoke an eloquent atmosphere, though photographs of Yeats, et al., and scenes from Sligo to Coole are familiar. An uneasy compound of coffee-table biography and college literary primer, this is an attractively produced but wholly optional supplement for Yeats devotees and Hibernophiles. (150 b&w photos and 36 colorplates)

Pub Date: Jan. 17, 1996

ISBN: 0-300-06323-7

Page Count: 346

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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