Pryce-Jones (The Closed Circle, 1989, etc.), who was for many years a correspondent in the Soviet Union for the Daily Telegraph, has written a strange and intriguing book on what is perhaps the central event of our time. Traveling extensively throughout the country, meeting people high and low, Pryce-Jones leads us to the inevitable conclusion that the only thing unusual about the death of the Soviet empire was that it caught the West by surprise. Within the Communist Party hierarchy and down to the man and woman in the street, it seems that everyone had an inkling of the impending catastrophe. From party leaders to sclerotic bureaucrats, national minorities, workers, and intellectuals, the voices of those interviewed by Pryce-Jones combine in a chorus of corruption, paralysis, hopelessness, and despair. The central figure in this drama is, of course, Gorbachev. In the introduction, the author implies that the last Soviet leader was ``a tragic hero,'' but by the conclusion he is able to write that he may be seen either as a historic personality of lasting stature or a simpleton. Some of these points have been made before: that the despotism of the czars was the historical antecedent of the Leninist-Stalinist regime; the dismal litany of crimes, betrayals, greed, and vanity. Pryce-Jones is on shakier ground when he asserts that Gorbachev, Yeltsin, and rival party leaders Yakovlev, Ligachev, and Lukyanov were all cut from the same cloth, or when he implicates Khrushchev in the death of UN Secretary General Dag Hammarskjîld. Most questionable is the assertion that intellectuals such as Brecht, Pablo Neruda, Sartre, and Graham Greene supported the Soviet Union as a matter of ``self- esteem'' and that Foucault, Lukacs, Marcuse, and others ``had a brutal manic streak in their characters which found its correspondence with similar sadists.'' A wealth of detail from the warp and woof of Soviet society, but flawed by a lack of critical insight. (map) (Author tour)
Pub Date: Sept. 7, 1995
ISBN: 0-8050-4154-0
Page Count: 448
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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