Two messages come through loud and clear: caregivers’ love for their children and, in the words of the ghost parent: “I’ll...
A bedtime book for all the nocturnal ghouls, ghosts, and goblins.
Structured identically to the many twee books about bedtime for human children, this is designed to do the same job: get little ones to sleep. Just as human children want one more cuddle, snack, and book, so too do these monsters’ offspring. Godzilla’s diapered child wants to keep stomping block cities, and it’s a struggle to get the bigfoot child’s toes scrubbed, face brushed, and pajamas on. Then there are those pesky fears that parents need to banish (imagined terrors include a unicorn and a cute kitten). The beauty of Quinn’s text, though (the vampire dad’s request for one more bite and a couple of bobbled rhymes excepted), is that this will work on human children as well. Indeed, some of the typical twee has made it to these pages, demonstrating that monster caregivers are just as sentimental as human ones: “A little wonder, yes, that’s true. / A miracle, uniquely you.” Spires’ illustrations mix the tender with the slightly macabre (the zombie child’s stuffed animal is missing its lower half), and the palette is dark and subdued to match the time before the dawn.
Two messages come through loud and clear: caregivers’ love for their children and, in the words of the ghost parent: “I’ll always love you, to the grave. / But frankly, dear, it’s sleep I crave.” Truer words were never spoken. (Picture book. 3-7)Pub Date: July 24, 2018
ISBN: 978-1-101-93944-4
Page Count: 32
Publisher: Crown
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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