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LENIN'S TOMB

Name: LENIN'S TOMB
Author: David Remnick
ISBN: 0-679-42376-1

RUSSIA AND THE FALL OF COMMUNISM

by David Remnick ‧ RELEASE DATE: June 1, 1993

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It's hard to imagine any book on the last years of Communism in the Soviet Union surpassing this one by Remnick, who covered the events for The Washington Post. Remnick's story is about far more than simply the economic failure of Communism. For 70 years, he emphasizes, history in the Soviet Union had been the instrument of the Communist Party—and ``history, when it returned, was unforgiving.'' From his own travels, and from conversations with former Soviets at every level of society, Remnick conveys unforgettably the impact of that history. There's the testimony of General Volkogonov, who as a historical researcher and loyal Party member found that on just one day, December 12, 1938, Stalin, after signing the death sentences of about five thousand people—including many the Soviet dictator knew personally—went to his personal theater and watched two movies, including Happy Guys. There's the story of the man Remnick met in Magadan, that ``gulag boomtown,'' who as a young boy lived in a house close to the port, from which long lines of prisoners marched toward the camps scattered for hundred of miles throughout Kolyma. The author spoke to people of every kind—from Politburo leaders to bums in the street; from Gorbachev's first girlfriend to simple people still passionately dedicated to the memory of Stalin- -and he has an almost poetic ability to convey character and scenes economically and vividly: One ideologist, he says, ``looked like a teacher who specialized in handwriting and never gave an A.'' Commenting on his findings, Remnick notes that, today, ``the fate of Russia hinges, once more, on the skills, inclinations, and heartbeat of one man. This time it is Boris Yeltsin...No one knows what would happen should Yeltsin fall from power...The institutions of this new society are embryonic, infinitely fragile.'' Brilliant, evocative, riveting.

Pub Date: June 1, 1993

ISBN: 0-679-42376-1

Page Count: 512

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

Categories:

HISTORY | WORLD | GENERAL NONFICTION

- BOOK REVIEW
HOLDING THE NOTE
by David Remnick

- BOOK REVIEW
THE MATTER OF BLACK LIVES
edited by Jelani Cobb & David Remnick

- BOOK REVIEW
THE FRAGILE EARTH
edited by David Remnick & Henry Finder

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.