Anyone with an interest in the formative era of aviation will thrill to this account.
The first air crossing from North America to Europe was an achievement to remember.
“A nonstop flight across the Atlantic might be routine to us,” writes Rooney, a British author. “But it is only possible because of those who went first.” And the first were Britain’s John Alcock and Arthur Brown, who made the crossing in 1919 in a modified Vickers Vimy bomber. The journey was, in fact, part of a race sponsored by a British newspaper, although it wasn’t much of a contest. Four aircrews assembled in Newfoundland, aiming to reach Ireland, but two of them didn’t get off the ground. Another made it halfway before being forced down by storms and engine failure (the pilots were rescued by a passing ship). Rooney emphasizes the fragility of the planes, which were held together with wire and wood. (The author knows the planes well: In his 20s, he worked as a guide at the London Science Museum, where the Vimy is on display.) Unreliable equipment and terrible weather were serious impediments for Alcock and Brown. They were experienced airmen—both piloted planes during World War I—but there were, according to their later accounts, many times when they didn’t think they would make it. After 16 hours in an open cockpit, they reached Ireland, accidentally landing in a bog on an early Sunday morning in June. The impact snapped the aircraft’s fuel lines, filling the cockpit with petrol. The airmen hurriedly climbed out of their plane. “What do you think of that for fancy navigating?” Brown asked Alcock. “Very good,” Alcock replied. And the men shook hands. Rooney pieces the story together from articles and memoirs, noting that the accomplishment was overshadowed by Charles Lindbergh’s solo crossing eight years later.
Anyone with an interest in the formative era of aviation will thrill to this account.Pub Date: June 3, 2025
ISBN: 9781324050964
Page Count: 336
Publisher: Norton
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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