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THE TWELVE DOGS OF CHRISTMAS

Though the falling action never rises to the level of the setup, Rosenfelt’s canine-loving hero is always good...

Rosenfelt, who continues to write some of the best hooks in the genre, saddles attorney Andy Carpenter (Outfoxed, 2015, etc.) with a client who’s got only six months to brighten her Paterson neighborhood—if a guilty verdict doesn’t remove her from her home first.

Despite all Andy’s coaching and beseeching, irrepressible Martha Boyer, universally known as Pups, is already on record as having threatened Randy Hennessey, the neighbor who filed a legal complaint against her houseful of two dozen rescue dogs, in open court. Andy gets the case dismissed, but before he can begin to gloat properly, Hennessey is dismissed, too—by a handgun that turns up in Pups’ basement shortly after a neighbor sees her leaving his house. Her story that her former legal adversary had asked her to come over so he could apologize and give her a present sounds highly implausible even to Andy. What really complicates the case, though, are a pair of unwelcome developments that seem to come out of nowhere: the news that Pups’ recurrent cough is actually a symptom of malignant mesothelioma, a surefire death sentence, and forensic evidence that identifies the murder weapon as the same gun that widowed Pups 18 months ago, when her husband, Jake, and local Bloodz member Raymond "Little Tiny" Parker fell victim to a drive-by shooting that suddenly looks a lot more premeditated to rookie prosecutor Dan Tressel. Even getting Pups acquitted won’t end her troubles, for Jake’s long-estranged son, Hank, is ready to launch a civil suit against her in order to claim his father’s estate.

Though the falling action never rises to the level of the setup, Rosenfelt’s canine-loving hero is always good company—especially when he deals with someone who’s gone to the dogs even more completely than him.

Pub Date: Oct. 18, 2016

ISBN: 9781250106766

Page Count: 336

Publisher: Minotaur

Review Posted Online: July 27, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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