Excuses, excuses. Shannon’s potatohead (No, David, 1998; David Goes to School, 1999), born to be trouble, is back. “No,” ever a part of David’s elder’s vocabulary, is now part of David’s. “No, it’s not my fault,” for instance. David has learned the fine art of excuse-making: I didn’t mean to, it was an accident, I forgot, the dog ate it (as the dog peers through the classroom window, homework in his mouth, giving David’s excuses a two-edged appeal). Shannon’s double-paged spreads are active in mood, color, and sight gags as David unfurls one excuse after another: “I was hungry,” as he chows a dog biscuit; “I couldn’t help it,” as he cracks a crazy face for the class photo; “But Dad says it,” with a bar of soap sticking out of his mouth. As usual, the adults are seen only in pieces, David is clearly the focal point, beginning with the title page, Mom seen only from the chest down, hands on hips, one foot tapping. Then, in the trademark finish, David offers up an apology, “Yes! It was me!” ready to take the heat, “I’m sorry,” his head taking up both pages, before he murmurs, “I love you, Mom.” Disarming as he always is—what a blessing he lives on the page and not in our lives. (Picture book. 3-6)
Pub Date: Sept. 1, 2002
ISBN: 0-439-05022-7
Page Count: 32
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Disney art paired with an affirming message makes for a pleasant diversion.
Popular Disney characters guide children toward independence and empowerment.
Childhood involves taking small steps into enchanted lands of self-discovery. These forays lead to challenges but wonders, too. Who better to help kids along this path than celebrated Disney and Pixar icons, idolized courtesy of cinema and TV screens? Children sharing this book with grown-ups will likely be more thrilled at simply spotting and identifying cartoon favorites on these pages than listening to, let alone contemplating, the lengthy, somewhat overblown text, which may go over their heads. After all, very young children won’t yet know what lies ahead—or have figured out what they’ve achieved or will accomplish—when they’re on the brink of exciting life journeys. Recognizing and naming favorites—characters from Frozen, Up, Coco, and Moana—will boost many children’s self-esteem, one of this book’s credos. Some classic characters might be less familiar to today’s younger set, but they’re still powerfully appealing. Many words, set in larger type throughout, are eye-catching. The inimitable Disney illustrative and design style remains captivating and transcends generations. Though many characters from earlier Disney works are White (Alice, Peter, Pinocchio), those from more recent films reflect racial and ethnic diversity, among them Moana, who is Polynesian, and Coco’s Miguel, who is Mexican. (This book was reviewed digitally.)
Disney art paired with an affirming message makes for a pleasant diversion. (Picture book. 3-6)Pub Date: April 4, 2023
ISBN: 9781368077750
Page Count: 40
Publisher: Disney Press
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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