David is a small, snaggle-toothed piehead whose mischief—for those who don’t have to clean up after him—is...
This autobiographical (according to the author’s note) story from Shannon (A Bad Case of Stripes, 1998, etc.) features a young hellion, also named David, who is forever at the receiving end of a sharp “No!”
Among his prime escapades: over-reaching for the cookie jar, excavating his nose, tracking mud on the carpet, pounding pots, playing with food, making a naked escape from the house—classics all. “That’s enough,” his mother shouts, and other familiar adult admonishments show up as well—be quiet, come back here, go to your room, settle down, stop that this instant, not in the house. This last comes as David prepares for a little indoor hardball. Does he listen? Does he break a vase? Does he get sent to the corner, nose to the wall? Readers or listeners will be gripped by this episode right out of their own lives, through to the stray tear, the look of contrition, and the moment of redemption: “Davey, come here. Yes, David . . . I love you.” The illustrations are wonderful, full of good-time trouble-making tomfoolery, borrowing on the energy of children’s drawings and the determined strokes of their early attempts at lettering.
David is a small, snaggle-toothed piehead whose mischief—for those who don’t have to clean up after him—is nothing short of exhilarating. (Picture book. 2-6)Pub Date: Sept. 1, 1998
ISBN: 978-0-590-93002-4
Page Count: 32
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
The visual details invite interaction, making it a good choice for storytime or solo inspection.
It’s a quiet day, until….
“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.
The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)Pub Date: July 23, 2019
ISBN: 978-0-425-28881-8
Page Count: 40
Publisher: Viking
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
PERSPECTIVES
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