by David Sherrin ; illustrated by Martín Morón ‧ RELEASE DATE: Sept. 5, 2023
A solemn holiday is given an appealing, entertaining treatment well suited to young kids.
On the Day of Atonement, the Big Bad Wolf reflects.
It’s Yom Kippur, and the Big Bad Wolf is preparing to be bad. Things start changing at the synagogue, where he concedes a hug feels nice and almost sings along with the others. Hearing the rabbi’s sermon, Wolf wonders if he can become “better and brighter.” After services, Wolf encounters familiar story characters: a red-hooded girl and her grandmother, whom he treats kindly, and a porcine trio to whom he gives sensible home-building advice. What’s happened? Wolf’s worst instincts repeatedly try to surface, but they’re defeated by his much-improved nature, and it becomes clear that the formerly Big Bad Wolf has evolved into a much nicer lupine. That evening, after the holiday is over, the Big Good Wolf is rewarded by his grateful newfound friends. This sweet, humorous tale conveys the meaning of this important Jewish holiday in a way that’s understandable for children. Its premise proves it’s easy to err on the side of good; each of us has kindness within, and it’s satisfying to let it show. The fractured-fairy-tale motif will engage young readers and also makes familiar literary sense, as the Big Bad Wolf, naturally, is the antagonist of both “Little Red Riding Hood” and “The Three Little Pigs.” The illustrations are comical and dynamic; Wolf and all other animal characters are riotously expressive. Bespectacled Little Red and Granny are pale-skinned. (This book was reviewed digitally.)
A solemn holiday is given an appealing, entertaining treatment well suited to young kids. (author’s note about Yom Kippur) (Picture book. 4-8)Pub Date: Sept. 5, 2023
ISBN: 9781681156064
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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