No two ways about it—this one is a delight.
From the co-creator and illustrator of the Ladybug Girl books comes a joyful exploration of a day at the playground, where a young child finds new playmates and shares new activities in almost every spread until one has become 10 and it’s clear that all are welcome to play.
Sparse text—the words “How to” followed by a number with occasional changes in punctuation—and subtle illustrated details offer multiple opportunities for readers to practice counting from one to 10 on each spread: The back endpapers explicitly ask readers to “find the critters,” while the spine depicts 10 running silhouettes, and the book’s jacket back depicts child hands of many shades indicating numbers. The text’s pacing and layout at times feel a bit forced when it extends the patterned “how to…” lines across more than one double-page spread, but overall the pacing is balanced, especially in the gorgeous wordless full-bleed spread that depicts all 10 children playing after the rainstorm before parting ways. Perhaps most valuable, however, are Soman’s thoughtful, diverse depictions of the children and families (an interracial two-dad family; several solo older caregivers; an older sibling; a brown-skinned woman in a headscarf) through a range of skin and hair color, clothing, and gender presentations. Meanwhile, the young child and their mother, whose story grounds the book, appear to be white.
No two ways about it—this one is a delight. (Picture book. 3-8)Pub Date: March 19, 2019
ISBN: 978-0-525-42784-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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