A closely observed, well-argued examination of how athletes have used their fame to advance civil rights.

IT WAS ALWAYS A CHOICE

PICKING UP THE BATON OF ATHLETE ACTIVISM

Sports journalist Steele probes the long history of civil rights protest on the part of athletes in America.

Former NFL quarterback Colin Kaepernick figures at the center of the story, though he is just one player in a rich heritage of athletic activism. The author begins with Paul Robeson, who began his career at Rutgers with letters in football, track, baseball, and basketball. “Sports had put him on the national radar,” writes Steele, “but his many other pursuits throughout segregated America had kept him there.” Part of the price Robeson paid for his activism was the loss of his passport, as happened to boxing great Muhammad Ali as he refused induction into the military. Steele notes that Kaepernick’s protest began not by taking a knee but simply by refusing to stand for the national anthem, which might have gone overlooked had a reporter not asked about it; taking a knee added urgency to the issue while costing Kaepernick a spot on the roster. “The very nature of his protest, of course, lent itself to categorizing the reactions along racial lines,” writes Steele. Many Black athletes came to his defense, such as Jim Brown and Kareem Abdul-Jabbar, while many White athletes insisted that Kaepernick was dishonoring the country by his actions. Yet race is not a monolith. As Steele writes, Tiger Woods has made a long career by going along to get along, palling around with Donald Trump—one of Kaepernick’s most furious detractors—in his devil’s bargain. At the time, “the bar of expectations for Woods was essentially on the floor.” There it remains, while, Steele predicts, just as the nation came around to accepting Tommie Smith’s and John Carlos’ raised fists at the 1968 Olympics, in 50 years, Kaepernick will be commemorated as a warrior for civil rights.

A closely observed, well-argued examination of how athletes have used their fame to advance civil rights.

Pub Date: July 8, 2022

ISBN: 978-1-4399-2173-9

Page Count: 200

Publisher: Temple Univ. Press

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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WHEN BREATH BECOMES AIR

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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