by David Stubbs ‧ RELEASE DATE: July 21, 2015
Stubbs' doorstop is well-researched, well-written, intensely detailed, and oftentimes gripping, but unless you have a couple...
A massive answered prayer for fans of Krautrock, without which “hip hop, techno, electropop, ambient and post-rock might never have evolved.”
Rock writers have a tendency to describe a critically acclaimed but less-than-popular style as "misunderstood." Krautrock, the 1970s-era electronic-based subgenre was perfectly well understood; it just wasn't particularly beloved. Listening to music by the likes of Kraftwerk, Popol Vuh, Can, and Faust, it's understandable why the genre didn't cross over into the mainstream: with its robotic beats and tangle of electronic sounds, Krautrock is oftentimes difficult and flat-out inaccessible. However, it played an important role in combining dance and punk, something that artists like The Mars Volta, My Bloody Valentine, and even Beck have utilized to great artistic and critical success, and that fact alone justifies an in-depth study of the music and its effect on its birthplace of Germany. A contributor to U.K. rock magazines Melody Maker, NME, and others, Stubbs (Fear of Music: Why People Get Rothko But Don't Get Stockhausen, 2009, etc.) comes off as the world’s foremost expert on Krautrock, for which he deserves massive credit. The author neatly ties in his discussions of the genre’s roots with coverage of the upheaval that defined Germany during the time, explaining with conviction and authority how one influenced the other. The sections that will most appeal to casual fans deal with the handful of non-German artists who embraced the German sounds, most notably David Bowie and Brian Eno. Furthermore, the author makes readers want to check out some Krautrock, which is an impressive feat in itself.
Stubbs' doorstop is well-researched, well-written, intensely detailed, and oftentimes gripping, but unless you have a couple of Ash Ra Tempel albums in your collection or are intensely curious about German culture in the 1970s, you might be hard-pressed to make it through this exhaustive study of a relatively short-lived genre.Pub Date: July 21, 2015
ISBN: 978-1-61219-474-5
Page Count: 512
Publisher: Melville House
Review Posted Online: May 23, 2015
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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