This sprawling narrative of Paul Gauguin's messy life provides new insights, despite its lack of formal coherence. Sweetman (Mary Renault, 1993; Van Gogh, 1990) names the three sections of his book after the three questions posed by a late Gauguin masterpiece's title: Where do we come from? What are we? Where are we going? Gauguin's origins make for a fascinating story. His mother, born into French feminist and radical circles, was for a time cared for by George Sand. Family connections led Gauguin's parents to emigrate to Peru; his father didn't survive the trip. Gauguin soon returned to France with his mother; Sweetman shows how the Peruvian experience would nevertheless inform the artist's aesthetic sensibility. Gauguin came late to painting as a career. He worked as a sailor before making, and then losing, a great deal of money in investment banking. The latter enterprise, provided Gauguin with an entrÇe to the Impressionist circles where he would serve his apprenticeship; Pissarro, in particular, became a mentor. Sweetman exhaustively details Gauguin's associations with CÇzanne, MallarmÇ, Seurat, and Van Gogh. Gauguin's Danish wife, from whom he became estranged, and his many mistresses also find illumination. Sweetman explores at length the degraded physical condition, confused philosophizing, and glorious artistic productions that characterized Gauguin's visionary last years in the South Pacific. The significance of the expatriate's work remained in dispute until the results of his famous late-life relocation to Tahiti were exhibited in France. Sweetman suggests, in his last section, that the ``we'' whom Gauguin invoked in his painting's title includes us. We follow Gauguin in our ambivalence toward the modern vices- -money worship, misogyny, and colonialism. If Gauguin did not succeed in getting beyond these vices, neither have we, Sweetman suggests. And if Sweetman doesn't entirely succeed in maintaining his narrative focus, he does provide a biography that brings our own time into clearer view along with that of his subject. (color and b&w illustrations, not seen)
Pub Date: Feb. 21, 1996
ISBN: 0-684-80941-9
Page Count: 608
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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