This first nonacademic biography of Renault was developed by Sweetman (Van Gogh, 1990) from a rare interview granted him in 1981, two years before his subject's death. In that interview, Renault conveyed both her discomfort with being an ``apostle of the sexual revolution'' and her pride in the research behind her award- winning historical novels. Daughter of a provincial doctor, Renault attended St. Hugh's, an Oxford college for women. To escape an idle future as a maiden daughter living in her mother's sewing room, she trained to be a nurse. Along with the discipline and deprivation, she discovered her sexual nature and Julie Mullard, who was to become her life- long companion and the subject of her first novel, the subtly sexual The Purposes of Love (1939)—the first of Renault's series of contemporary novels that culminated in The Charioteer (1953), an open and sympathetic depiction of homosexual love. By the time it was published, Renault—in order to escape high taxes, the cold, and social rejection—had moved to South Africa, where she began publishing the historical novels for which she's best remembered. Carefully researched, richly imagined, her dignified representations of homosexuality among the heros and gods of ancient Greece and Rome won her a following of gay liberationists- -whose position she rejected as ``sexual tribalism.'' As honorary president of the Cape Town chapter of PEN, Renault was attacked by Nadine Gordimer for not including blacks in the chapter—which is about as controversial as Renault ever became: When she died at age 78, many still believed that her novels had been written by a man. Somewhere between this wary approach to an exceptional mind and the academic jargon that Renault seems to attract, there's still much to be explained. Renault continues to wear her own Mask of Apollo.
Pub Date: June 1, 1993
ISBN: 0-15-193110-0
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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