An intelligent and sympathetic reappraisal of the political upheavals of the ’60s and ’70s.



Salon founder David Talbot and New Yorker writer Margaret Talbot offer admiring portraits of radical activists who sparked enduring social changes.

Through sharp reporting and good storytelling, the authors enliven a journalistic genre that in less skilled hands might have gone flat: the “Where are they now?” story. They devote a chapter to each of seven flashpoints of the 1960s and ’70s that created “the second American Revolution.” These include Black Power, gay pride, the anti-war movement, the siege of Wounded Knee, the battle for abortion rights, the rise of the United Farm Workers, and the “celebrity activism” embodied by John Lennon and Yoko Ono. The authors show how and why each movement unfolded, focusing on key figures like Bobby Seale and Dolores Huerta and describing their subjects’ early activism as well as their later lives. They aim partly to enlighten students, such as those who, a professor lamented, know the Panthers “only by their cool regalia…the black leather coats, the berets, the dark glasses.” But an abundance of fresh material gives this book an intergenerational appeal. In their portrait of the feminist abortion clinic the Jane Collective, the authors note that before Roe v. Wade, one doctor who did abortions took startling safety precautions: “An assistant picked the women up on street corners, blindfolded them, and brought them to undisclosed locations.” The authors also vividly portray events such as Cesar Chavez’s trailblazing efforts to organize grape pickers, Craig Rodwell’s quest to open America’s first gay and lesbian bookstore, and the Ojibwe leader Dennis Banks’ bold escape from Wounded Knee as federal officials swept up Native resisters. Some readers may fault a few of the choices—particularly that of Lennon rather than Bob Dylan as the main representative of “protest songs”—but even the dissenters may appreciate that the authors avoid Allan Bloom–style crankiness in recalling the ’60s and evoke the ’70s without using the word disco.

An intelligent and sympathetic reappraisal of the political upheavals of the ’60s and ’70s.

Pub Date: June 8, 2021

ISBN: 978-0-06-282039-6

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 20, 2021

Kirkus Reviews Issue: April 15, 2021

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Certain to be controversial, but all the more important for that.


The final book from the longtime activist anthropologist.

In a lively display of up-to-date anthropology, Graeber (1961-2020) offers a behind-the-scenes view of how a skilled researcher extracts knowledge from the slimmest evidence about a long-ago multiethnic society composed of pirates and settled members of existing communities. In this posthumous book, the author turns to 17th- and 18th-century Madagascar and examines hard-to-credit sources to tease out some plausible facts about the creation and early life of a distinctive Indian Ocean society, some of whose Malagasy descendants (“the Zana-Malata”) are alive today. Exhibiting his characteristic politically tinged sympathies, Graeber describes the pirates who plied the seas and settled on Madagascar as an ethno-racially integrated proletariat “spearheading the development of new forms of democratic governance.” He also argues that many of the pirates and others displayed European Enlightenment ideas even though they inhabited “a very unlikely home for Enlightenment political experiments.” Malagasies were “Madagascar’s most stubbornly egalitarian peoples,” and, as the author shows, women played significant roles in the society, which reflected Jewish, Muslin, Ismaili, and Gnostic origins as well as native Malagasy and Christian ones. All of this information gives Graeber the chance to wonder, in his most provocative conjecture, whether Enlightenment ideals might have emerged as much beyond Western lands as within them. His argument that pirates, women traders, and community leaders in early 18th-century Madagascar were “global political actors in the fullest sense of the term” is overstated, but even with such excesses taken into account, the text is a tour de force of anthropological scholarship and an important addition to Malagasy history. It’s also a work written with a pleasingly light touch. The principal audience will be anthropologists, but those who love pirate lore or who seek evidence that mixed populations were long capable of establishing proto-democratic societies will also find enlightenment in these pages.

Certain to be controversial, but all the more important for that.

Pub Date: Jan. 24, 2023

ISBN: 978-0-374-61019-7

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 6, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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