An informative, “wild party” for movie fans and actors, veterans and newbies alike.
A passionate, personal look at a subjective subject.
Early on, acclaimed film critic Thomson declares, “I like or love all actors.” Throughout the narrative, the author nimbly ambles his joyful way through his extensive film knowledge and his reflective attitude toward the people who act in them. Ever since he was a child, he “held these screen phantoms in total trust.” So, readers may ask, what is good acting? According to Thomson, “it is making us watch very closely, as if we were doing it ourselves.” The author admired the performances of Carey Mulligan, a work in progress, but was waiting for her to “burst out.” Finally, the “wounding but exhilarating experience” of Promising Young Woman (2020) let her “go wild.” As a young moviegoer, he could feel James Dean’s “mastery.” Anthony Hopkins is a “majestic player…with an endless appetite for work,” and Thomson loves that “he will try anything.” Meanwhile, Denzel Washington strides through Déjà Vu “as if crossing the Potomac, certain of a place in history.” Meryl Streep, Thomson proclaims, “will be a mainstay in this book, our godmother and a genius, too.” On the Waterfront is a “sonata for a great actor pretending to be dumb.” In addition to assessing the performances of individual actors, the author is excellent on close-ups, a “window on the possibility of soul or mind.” He is also convincing in his arguments for the crucial importance of casting, and he presents fascinating hypotheticals. What if two key actors in a certain movie were cast in the opposite roles? While examining an entire “universe of film stars, those iconic, axiomatic presences”—e.g., Gary Cooper, Cary Grant, Gregory Peck—Thomson delves into another intriguing area: Can an ordinary, nonactor act? He offers Bicycle Thieves and A Man Escaped as evidence in the affirmative. Throughout, the author provides movie suggestions, many of which readers will want to seek out immediately.
An informative, “wild party” for movie fans and actors, veterans and newbies alike.Pub Date: Feb. 7, 2023
ISBN: 9780593319291
Page Count: 288
Publisher: Knopf
Review Posted Online: Jan. 23, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
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