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SLEEPING WITH STRANGERS

HOW THE MOVIES SHAPED DESIRE

Literate, frank, and sometimes graphic—another essential volume from an essential writer.

A veteran film critic and historian escorts us through cinema history to examine our sexual attitudes and appetites glowing in the dark.

In his latest book, Thomson, the author and editor of more than 20 books about film and TV (Television: A Biography, 2016, etc.), puts on display an array of his virtues as a writer: clear, precise language; vast knowledge of his subject (from books, screens, interviews, and friendships); an open sense of humor; and attitude. Though film history is the author’s principal interest here—and how the movies have affected our ideas about love and sex—he comments at times on contemporary issues, as well, including sexual harassment (Harvey Weinstein, Louis C.K., Kevin Spacey, and others) and the current occupant of the White House, whose rise to power he calls “grotesque.” As usual, Thomson pulls no punches and takes no shortcuts. His technique is to focus on specific, often iconic films—the creators, casts, and others involved—and to show how they have influenced the viewing public and the culture at large. Throughout, the author is a genial guide as he moves through the films and personalities, including, among dozens of others, Rudolph Valentino, Warren Beatty, Faye Dunaway, Jean Harlow, Tony Curtis, Jude Law, and Nicole Kidman. Thomson explores not just the on-screen sexuality of his principals, but also their off-screen, “real” sexual identities. We learn a lot, for example, about who was gay, or possibly gay, and who was bisexual. We also see a lot of Weinstein-ian behavior that prevailed long before #MeToo: director Nicholas Ray having sex with the 16-year-old Natalie Wood; other dominant male figures—straight and gay—taking sexual advantage of their power. However, the author also reminds us that viewers are not innocent: We sit in the dark, watching, imagining, and enjoying the sex (he confesses to a number of his own youthful passions for film stars).

Literate, frank, and sometimes graphic—another essential volume from an essential writer.

Pub Date: Feb. 19, 2019

ISBN: 978-1-101-94699-2

Page Count: 352

Publisher: Knopf

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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