by David Wiltse ‧ RELEASE DATE: July 1, 2002
A proficient, synthetic spin on the long-hidden-secrets formula, the most routine of Wiltse’s dozen thrillers to date. It...
Revisiting a 50-year-old lynching in America’s heartland provides former tough guy Wiltse with his kindest, gentlest outing yet.
Having left the Secret Service detail guarding the vice president to live the good life in his hometown of Falls City, Nebraska, Billy Tree is doing his level best to fit in with the locals after his traumatic debut (Heartland, 2001). He’s serving as deputy Bert Lapolla, the inoffensive Acting Sheriff of Richardson County; he’s carrying on a discreet romance with his old high-school flame, widowed nurse Joan Blanchard, which isn’t bothering anybody but young Will Blanchard, who blames Billy for his father’s death and would love to see him just as dead; and he’s bonding with the relatives he left behind, from his helpful sister Kath to his sozzled uncle Sean. But Odette Collins, whose rabid dog Billy got Lapolla to shoot, just won’t leave him alone. He checks into a local motel registering as Wilson Picket and Otis Redding, tags along trying to provoke confrontations, and makes Billy wonder just what a black man is doing among the cornfields of Nebraska anyway. One possible explanation is suggested by a miniature hangman’s noose some anonymous donor has left for Billy—a noose that ties Billy and his family to Judge Lyle Sunder. The trail into the past leads to the 1948 lynching in nearby Kansas of Lawton Mills, accused of a sex murder and sentenced to summary justice by a jury of every peer in town. Reopening the case makes Billy queasy—but not nearly as queasy as the sight of Odette Collins ducking out of sight behind Joan Blanchard’s house, or the angry resistance to questioning that makes Joan just as hostile as her resentful son.
A proficient, synthetic spin on the long-hidden-secrets formula, the most routine of Wiltse’s dozen thrillers to date. It would be nice to think that he’s mellowing along with his heroes.Pub Date: July 1, 2002
ISBN: 0-312-28371-7
Page Count: 336
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by David Wiltse
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by David Wiltse
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by David Wiltse
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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126
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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