A gripping and well-crafted tale of prisoners and guards.
In this graphic novel, a group of prison guards attempts a heist against the backdrop of the March on Washington.
Baltimore’s Jessup Penitentiary, 1963. A former prison guard finds himself an inmate, and he has a story to tell. Kendrick Robinson was part of a family of prison guards, including his uncle Marcus and his cousin Francis—called Freckles for his light complexion. When one of their fellow guards is injured, Francis suggests they attempt to steal the score of mouthy former hit man Sid Scisiani, who is about to get paroled. Kendrick warms to the idea after learning he’s been drafted for the Vietnam War—he needs the cash to flee to Canada or buy a new identity. When Sid gets out, Kendrick and Francis follow him to his homecoming job—and learn that his first mission back is to assassinate the Rev. Dr. Martin Luther King Jr. Now Kendrick and his comrades need to plan a heist and save the celebrated civil rights leader at the same time. Meanwhile, back at the prison, a group of prisoners has escaped, including one White supremacist who would like nothing more than to settle a score with his Black prison guards. With the help of artists Oliveira and Dunbar—whose work evokes the bleak superhero comics of the 1980s—Walker spins a cinematic story that propels readers from panel to panel. “People in prison love to talk,” begins Kendrick in a nonchalant opening monologue right out of a Martin Scorsese movie. The words drift incongruously over scenes of inmates fighting and rioting: “There’s nothing more popular...given the other options....Just ask for an opinion...and cons will come running.” The book blends issues of race, civil rights, and prison reform in a way that is cogent while still providing an entertaining, guns-blazing crime story. The tale questions what sorts of behavior count as ethical while driving at a larger, societal morality embodied by the words of the very man whose assassination Kendrick is trying to prevent. Despite the darkness, the story manages to find its way to an ending of hopefulness—though not quite in the way readers will expect.
A gripping and well-crafted tale of prisoners and guards.Pub Date: Aug. 28, 2020
ISBN: 978-1-71914-473-5
Page Count: 153
Publisher: CreateSpace
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
This mystery’s promising premise bogs down in an overloaded cast.
When one woman takes on another’s identity to uncover a crime, they both become suspects in a murder.
Aubrey Price and Camille Bayliss come from different worlds, only crossing paths because of the discovery that Camille’s husband, powerful lawyer Ben Bayliss, is hiding something terrible that affects them both. As the novel opens, Aubrey is driving Camille’s Range Rover, then teetering into a bar on Camille’s high heels, with Camille’s dress and credit cards and a wig that mimics Camille’s hair, pretending to be her because Ben tracks his wife’s every move and expenditure, and Camille wants to create a smokescreen while she sneaks into his office in search of evidence of that unnamed secret. But the scheme goes awry, and the women become each other’s alibis after Camille finds Ben murdered in their home. The first part of the book builds suspense and misdirection well, with Aubrey and Ben’s straight-arrow partner, Hank Landry, serving as first-person observers in some chapters while others track Camille. She’s a wealthy and privileged woman but not a happy one, stuck under the thumbs of her husband and her tyrannical father, Randall Everett, who pretty much runs their small Louisiana town. Aubrey was orphaned as a teen when her parents died in a car crash and has proudly fended for herself ever since, coming to depend on her four roommates, who have become friends. But as the cast of characters grows, it seems as if almost everyone in town has a motive for killing Ben, and the piling up of suspects and movements among different timelines can sometimes be confusing. And it all comes to a frustrating end when, after a whole school of red herrings, the solution to Ben’s murder arrives out of far left field.
This mystery’s promising premise bogs down in an overloaded cast.Pub Date: Jan. 13, 2026
ISBN: 9780593834459
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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